Already we are the better part of a week into the new year, but I’ve been traveling and I’ve only just gotten home, so I hope you’ll humor me with one or two looks back to 2016 in the coming days. Mostly I just wanted to pop by to say that I have a few blog posts in the pipeline, but in the meantime I decided to take a quick look at which of my blog posts from 2016 was most popular, and I thought you might find that interesting too:
- Norwegian wool: Rauma Garn
- Project Planning
- 42 norske kofter
- Norwegian wool: Hillesvåg Ullvarefabrikk
- Slow Fashion October: my first sweater
I’m pleased there’s been interest in the Norwegian wool series, as I’m planning to continue that into this year (and I already know which company I’ll be featuring next). Other than Norwegian wool, Norwegian knitting and sweaters are both themes that came out on top – so I expect you’ll be pleased once I get some proper photos taken for a post about my finished Sandneskofte, which I’m looking forward to writing. Looking beyond posts from just 2016, all of my support/tutorial posts got a lot of traffic as well, so I’m so pleased to see that those continue to be useful to knitters!
There’s a little bit of crossover with my most popular Instagram posts of 2016, which you can see here if you don’t follow me on Instagram.
I’ll be back very soon with more, but until then, I’m wishing you the happiest of new years for 2017!
I decided to write about Telespinn last week because I used one of their yarns for a very special pattern: meet the Rosenhoff mittens (or Rosenhoff Votter), my contribution to the magazine for this year’s Oslo Strikkefestival. The festival is only in its second year this year, but it sounds like last year was a flying success and I can’t wait to head down to Oslo this November and check it out for myself (yes! I’m coming to the festival!). I had the chance back in February to meet Katie, who runs the festival (and also works at Grünerløkka yarn store Pickles) and I was thrilled when she asked if I’d be willing to contribute a pattern for the magazine. Two other patterns are included: the beautiful and intriguing Gokstad Hat by Julie Knits in Paris, and the Oslo Skirt by Maja Karlsson, which features a interesting construction details and lovely stranded colorwork at the waistline. All three patterns are available for free in the Oslo Strikkefestival magazine, found here on their website if you weren’t able to get one at the launch party. Currenly the written instructions are in Norwegian only, but the whole mitten is charted after the ribbing and I’m hoping to put together the English translation soon.
I had a lot of fun working up the charts for these mittens and I’m very pleased with how they turned out. They’re knit up in fingering-weight Symre (for the sample the main color is Sjøgrønn and the contrast is Lysgrå). A primarily mohair yarn is not the most traditional choice for what are otherwise rather traditional Norwegian mittens, but I felt like the spirit of Telespinn as a company is very Norwegian and that it would be a good fit for both this design and the festival itself. The resulting fabric created when the mohair-wool blend is worked stranded is a bit airier than wool would be, but it’s also very warm. I took these mittens on a test run at an outdoor music festival in Tromsø this past weekend – the high temp the day I wore them was 8ºC / 46ºF and they kept my hands quite warm!
I decided to name the pattern after the area where I lived two summers ago while attending the International Summer School at the University of Oslo. Rosenhoff is on the east side of Oslo just north of Carl Berners plass, and aside from my personal connection to the area, the floral connotations of the name felt like a good fit for the two main flowery motifs on the back of the hand. It’s a really lovely part of town that I’ll probably always have a fondness for – that summer was like something out of a picture book.
I should also mention that if you’re planning to attend the festival and you knit one of the three official patterns from this year’s magazine (these mittens included), you can be entered to win a 500 NOK gift card to be used in the marketplace! And if you start a project but haven’t finished by the time of the festival, no biggie – just upload a photo of your WIP or FO to Instagram with the hashtag #oslostrikkefestival and you’ll be entered. More info about the competition can be found on the Oslo Strikkefestival website here. And the Rosenhoff Votter can be found on Ravelry here.
If you’re planning to attend the festival I look forward to seeing you there!
I still have some larger yarn companies to cover in this series on Norwegian wool, but I’m jumping to a smaller company this week to tell you about one of my favorite Norwegian yarn companies: Telespinn (click “in English” at the top of their homepage if you don’t speak Norwegian). I first encountered their yarn two years ago when I visited the Folkemuseum in Oslo, and I’m so happy to write a bit more about them.
Located in Telemark, Telespinn has their own microspinnery as well as their own sheep and Angora goats, which makes their yarn a pretty incredible farm-to-needle experience. This also means the core of their yarn content is actually mohair (from the Angora goats), but all of their made-in-house mohair yarns are blended with wool. Unlike what many of us think of when we hear the words “mohair yarn,” this isn’t brushed mohair, so the resulting yarn is much more smooth than fuzzy (though it does have a nice halo). The mohair/wool blends also have an incredible lustre, as the mohair fibers are relatively shiny. I’m particularly drawn to the candy-bright colors their yarns come in, and the light grey in the photo above legitimately looks and feels like mithril (in other words, I think this yarn is pretty magic).
Telespinn’s magnificent Angora goats (photo used with kind permission from Telespinn)
While the yarn is fantastic, one of the things I love the most about this company is their story. Yarn was just the eventual by-product of founder Bjørg Minnesjord Solheim’s decision to keep mohair goats as a way of preserving the cultural landscape. Not wanting the mohair fiber to go to waste, she decided to have it made into yarn, but that meant the wool went first to Denmark and then on to South Africa in order to be processed. Trying to find more local and sustainable ways of having the fiber turned into yarn yielded no results, and eventually (after a trip to Canada to check out spinning machines) Telespinn had machinery imported in order to set up their own mini-mill. Talk about commitment. You can spend some time perusing the “about us” page on their website if you’d like to learn more – there’s a lot of reading material there.
Telespinn has their own webstore and I’m happy to say they ship all over the world, so you should be able to get your hands on some no matter where you are. Should you find yourself heading to Telemark, it’s also possible to visit the farm, though visits need to be arranged in advance.
Pictured at top is their light fingering weight 2-ply yarn, Symre, which I’ve used for a mitten pattern that I’ll be writing about in the next post!
Previous posts in this series can be found here:
– Hillesvåg Ullvarefabrikk
– Rauma Garn