lyngen, or, my new favorite sweater

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I don’t think I wrote about Lyngen on the blog earlier this year. This is a pullover I designed for issue 5 of Making magazine (the COLOR issue), which came out this past spring. Making is a beautiful print publication and I was very happy to be included in such a bright and inspiring issue (I highly encourage you to head over to Ravelry to check out the other patterns in the issue). You can still get the pattern for Lyngen in that issue, but I’ve also just published it as an individual pattern on Ravelry, and it felt like a good time to share a little bit about it with you all.

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This was one of those designs that took a really long, meandering path to the final result. When Carrie first reached out about designing a pattern for this issue, I came up with two main colorwork sweater ideas, both of which were round yokes. One idea was inspired by the super colorful Hungarian embroidery from Kalocsa – the idea featured bands of motifs in different bright colors on a white background, and I think we were initially going to go with that idea. But then Birkin came out, and I emailed Carrie with a photo and said, “Is this too similar?” (Side note: this probably happens more often than most knitters realize, especially with regard to yoke designs. I’ve gotten two emails myself from other designer pals along similar lines after releasing some of my other yokes. Great minds, etc.) Even though we though it wasn’t too similar, Carrie ended up deciding that my other idea would be a better fit for the issue. That idea featured a very similar chart to the one that ended up on the yoke of Lyngen, though I made some changes once we finalized the color palette. My proposal was a very me sort of palette – greys, with minty shades of turquoise and teal. Predictable. Carrie already had a project for the issue lined up in similar colors, though, so she proposed an alternate colorway, in four shades of Quince & Co. Finch: Maple, Petal, Clay, and Malbec. We continued waffling about color placement until finally deciding that Maple should be the main color of the body. Once we got there, I tweaked the yoke chart a little bit and decided to add small bands of colorwork to the bottom of the body and sleeves of the sweater as well.

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After all was said and done, I realized two things: firstly, that I loved this sweater. Secondly, the motifs made up of lots of single stitches in this particular color combination brought to mind the flowering heather I’d come to associate with early autumn in northern Norway. This gave the sweater its name; “lyng” is the Norwegian word for heather, and the mountains to the east of Tromsø are known as the Lyngen Alps. I’ve written before about how working with third parties such as magazines often means getting out of my color comfort zone and using colors or color combinations I wouldn’t normally have chosen for myself, and that often leads to designs that are really satisfying and refreshing for me. I had no idea I would fall in love with Quince’s Maple colorway in particular. I had no idea that I would fall in love with this sweater.

I got my sample back from the magazine in April, around the time the issue was released. But I didn’t have a ton of time to wear it before Montreal was getting too warm for knitwear. So when we headed to Norway for a week or two in September, I brought it along, knowing it would get some wear. It was the only sweater I brought and I lived in it. And then we came home and I have just continued living in it. (If you’ve seen my latest YouTube video on colorwork books you may have noticed I’m wearing it there too.) A fingering weight yoke is such a perfect everyday kind of sweater – it’s easy to wear indoors without overheating, but it layers up very well for going out in colder weather.

One of the things I love about knitting is that there are always ways for knitting to surprise me. It’s such a joy to fall in love with a piece that you didn’t expect to. I’m considering knitting up a second version of this sweater for myself, perhaps in Rauma Finull this time – but for now, I will continue to wear this one to death.

Have you ever had a knitting project surprise you that way?

in the pipeline, august 2017

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I’ve just returned to Tromsø after about three weeks away, visiting friends and family in North America, but things aren’t going to slow down any time soon; in the next three weeks we are packing up our place as we prepare to leave Norway by the end of the month (my degree is well and truly finished, and we’re moving on to what’s next for us… but more on that at a later date), followed by some travel for academic conferences, and then hopefully moving on to our new home and starting to get settled there. In the meantime, I’m daydreaming of garments.

Tromsø’s summer hasn’t been much of a summer this year, as far as I can tell. Beyond a few spectacularly warm and beautiful days here and there, I think it’s been largely wet and chilly. Spending time in North American summer for three weeks was a little bit of a shock – I think I managed to be in Seattle for the hottest week of the year there – and I’d forgotten how much really hot weather makes me positively pine for autumn. So, garments…

I’m determined to get my Garland off the needles before I cast on any new garments (not to mention I’m still working on deadline knits, one of which is a sweater), but I’m on the second sleeve of Garland now and it feels like the end is near! So here’s a glimpse at the next several garments I’m planning to cast on, all of which I already have the yarn for.

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First up is the Mount Pleasant tee by Megan Nodecker of Pip & Pin. I’ve been fairly obsessed with this tee since I first caught sight of it on Ravelry, when it was still in the testing stages. I’ve got two skeins of a special yarn set aside for this one: a merino singles base from Garnsurr, which is a small, new indie hand dying company here in Norway that’s also a refugee integration project (you can read more about Garnsurr on their website in English – and if you’re in the NYC, Do Ewe Knit in Westfield, NJ is stocking their yarns!). This is a project I’m so pleased to support, and this blue is going to be pretty gorgeous knit up. I think I’ll probably cast on this one first once I’ve finished Garland. Incidentally, Megan has also started a video podcast on YouTube, so if you’re into knitting podcasts, you should check it out!

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Next up is the Ingen Dikkedarer Genser, or the No Frills Sweater as it’s known in English, by PetiteKnit (the pattern is available in Norwegian, English, Danish, and Swedish). This is a super simple fingering/sport weight sweater (one strand fingering held together with one strand lace mohair), and I found myself craving something just like this to wear during our lingering winter this year, especially around April/May. Warm and cozy, but lightweight and easy to wear. This one’s exciting because I’m going to use the Berroco Ultra Alpaca Fine that I frogged during last year’s Slow Fashion October, and it’s good to find a new purpose for that yarn. I’m planning to hold it together with Pickles Silk Mohair in a similar dark grey, which I picked up in Oslo in May.

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Third up is a very special combination: Norah Gaughan’s Circlet Shrug from issue 3 of Making, knit up in an unusual-for-me shade of Hillesvåg Tinde, their sport/DK pelsull yarn (swoon – pelsull is the same fiber my Dalur is knit in; this is just a different weight). Looking at my existing sweater shelf, my affinity for blue, green, and especially grey comes through loud and clear, so between my pink Garland and this deep golden yellow shade, 2017 is turning into the year of getting out of my color comfort zone. It felt a bit crazy to buy this yarn, and when I got home the first thing I did was photograph it against my face to make sure I hadn’t made a huge mistake. And while this color still makes me feel like a slightly skittish cat when I look at the pile of skeins on their own, the photo helps me feel more confident in this decision. It’s a color I always find myself drawn to in autumn, so I’m willing to try it out in my wardrobe.

This was another pattern I fell in love with immediately the first time I saw it (it’s easy to obsess over those cables), and I hope this yarn will work out for it. The Tinde is a woolen-spun 2-ply in structure, so it’s not going to have the same amazing stitch definition as Brooklyn Tweed Arbor (which the sample was knit in), and the natural heathering of the yarn runs the risk of obscuring the cables further (although that natural depth, caused by the undyed grey shade of the yarn, is one of my favorite things about Hillesvåg’s pelsull yarns). So it’ll require a big and proper swatch to make sure I’m happy with the fabric before I move forward with it. And if it doesn’t work out, I’ll be happy to use this yarn for something else – it’s a yarn I won’t really be able to get easily once we leave Norway, so I wanted to scoop it up before we go, as a kind of souvenir of my two years here.

Are you thinking about fall yet, or does it feel too early to you? What kinds of things are you thinking of casting on in the near future?