in the pipeline, august 2017

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I’ve just returned to Tromsø after about three weeks away, visiting friends and family in North America, but things aren’t going to slow down any time soon; in the next three weeks we are packing up our place as we prepare to leave Norway by the end of the month (my degree is well and truly finished, and we’re moving on to what’s next for us… but more on that at a later date), followed by some travel for academic conferences, and then hopefully moving on to our new home and starting to get settled there. In the meantime, I’m daydreaming of garments.

Tromsø’s summer hasn’t been much of a summer this year, as far as I can tell. Beyond a few spectacularly warm and beautiful days here and there, I think it’s been largely wet and chilly. Spending time in North American summer for three weeks was a little bit of a shock – I think I managed to be in Seattle for the hottest week of the year there – and I’d forgotten how much really hot weather makes me positively pine for autumn. So, garments…

I’m determined to get my Garland off the needles before I cast on any new garments (not to mention I’m still working on deadline knits, one of which is a sweater), but I’m on the second sleeve of Garland now and it feels like the end is near! So here’s a glimpse at the next several garments I’m planning to cast on, all of which I already have the yarn for.

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First up is the Mount Pleasant tee by Megan Nodecker of Pip & Pin. I’ve been fairly obsessed with this tee since I first caught sight of it on Ravelry, when it was still in the testing stages. I’ve got two skeins of a special yarn set aside for this one: a merino singles base from Garnsurr, which is a small, new indie hand dying company here in Norway that’s also a refugee integration project (you can read more about Garnsurr on their website in English – and if you’re in the NYC, Do Ewe Knit in Westfield, NJ is stocking their yarns!). This is a project I’m so pleased to support, and this blue is going to be pretty gorgeous knit up. I think I’ll probably cast on this one first once I’ve finished Garland. Incidentally, Megan has also started a video podcast on YouTube, so if you’re into knitting podcasts, you should check it out!

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Next up is the Ingen Dikkedarer Genser, or the No Frills Sweater as it’s known in English, by PetiteKnit (the pattern is available in Norwegian, English, Danish, and Swedish). This is a super simple fingering/sport weight sweater (one strand fingering held together with one strand lace mohair), and I found myself craving something just like this to wear during our lingering winter this year, especially around April/May. Warm and cozy, but lightweight and easy to wear. This one’s exciting because I’m going to use the Berroco Ultra Alpaca Fine that I frogged during last year’s Slow Fashion October, and it’s good to find a new purpose for that yarn. I’m planning to hold it together with Pickles Silk Mohair in a similar dark grey, which I picked up in Oslo in May.

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Third up is a very special combination: Norah Gaughan’s Circlet Shrug from issue 3 of Making, knit up in an unusual-for-me shade of Hillesvåg Tinde, their sport/DK pelsull yarn (swoon – pelsull is the same fiber my Dalur is knit in; this is just a different weight). Looking at my existing sweater shelf, my affinity for blue, green, and especially grey comes through loud and clear, so between my pink Garland and this deep golden yellow shade, 2017 is turning into the year of getting out of my color comfort zone. It felt a bit crazy to buy this yarn, and when I got home the first thing I did was photograph it against my face to make sure I hadn’t made a huge mistake. And while this color still makes me feel like a slightly skittish cat when I look at the pile of skeins on their own, the photo helps me feel more confident in this decision. It’s a color I always find myself drawn to in autumn, so I’m willing to try it out in my wardrobe.

This was another pattern I fell in love with immediately the first time I saw it (it’s easy to obsess over those cables), and I hope this yarn will work out for it. The Tinde is a woolen-spun 2-ply in structure, so it’s not going to have the same amazing stitch definition as Brooklyn Tweed Arbor (which the sample was knit in), and the natural heathering of the yarn runs the risk of obscuring the cables further (although that natural depth, caused by the undyed grey shade of the yarn, is one of my favorite things about Hillesvåg’s pelsull yarns). So it’ll require a big and proper swatch to make sure I’m happy with the fabric before I move forward with it. And if it doesn’t work out, I’ll be happy to use this yarn for something else – it’s a yarn I won’t really be able to get easily once we leave Norway, so I wanted to scoop it up before we go, as a kind of souvenir of my two years here.

Are you thinking about fall yet, or does it feel too early to you? What kinds of things are you thinking of casting on in the near future?

stash less & thoughtful crafting

A month or two ago I discovered The Craft Sessions via the Woolful podcast, and it didn’t take long once I’d wandered over to the website for me to add the blog to my blog reader. Felicia lives in Melbourne, Australia, and founded The Craft Sessions as a way to provide opportunities for craft and fiber retreats in the Australian craft community. I found myself reading backwards through the archives, and I definitely found myself drawn to a concept Felicia started writing about a few months ago: Stash Less. She also talked about Stash Less in the podcast, so here’s a link to that episode if you haven’t heard it.

The Stash Less concept comes from a desire to be more thoughtful about what we make and why we craft. It’s about intentional making. This quote from the post that introduced Stash Less really struck a chord with me:

‘In the presence of good materials, hopes grow and possibilities multiply.’ And I truly believe that is so so true. But I also think that there can be too much of a good thing. And that maybe that is where I am.”

I tend not to voice my own concerns with the materialism and consumption involved in the craft community too loudly – after all, I sell patterns, which also help to sell yarn, which helps local yarn stores and indie dyers and needle makers and all other sorts of folk in this beautiful web in a mutually beneficial way, and above all it helps encourage others to take up the needles and share this craft with more of the world. But it has not escaped my attention that the encouragement can go a little too far – we can become obsessed with this or that yarn, or dyer, or notions maker, and we can develop a fear of missing out that drives us to purchase things we don’t need because we want them and we can probably find a way to use them later.

This isn’t to say that I think having a stash of yarn or fabric is a bad idea. It’s a totally good idea. Not only can it bring inspiration to be surrounded by beautiful materials, but you always have tools on hand when you want to try out something new. But I also believe that life is about balance, and after a period of acquiring a lot more yarn than I actually need, I’m starting to feel the other side of the stash more and more. It’s making me want to slow down, pull back, and start to balance the scales. I know I’m not alone in this, but despite having a sizeable stash, I still tend to buy new yarn when I have a very specific project I want to make. This means that some of the stash yarn just sits there for years and years. Once yarn’s been in your stash for nearly a decade, it’s not likely to be super inspiring anymore, you know?

So Felicia’s Stash Less concept really spoke to me. I don’t feel the need to make it an actual challenge, like she has – or perhaps I’m just setting different parameters for myself – but I have noticed a change in the way I’m thinking about my projects, particularly after I wrote about wanting to take it easier this year. I’m definitely still thinking about the perfect slouchy cardigan I’d like to knit, among several other things I’d love to cast on for, but some time in the last few weeks I decided to make a real effort to finish all my current WIPs before beginning any new purely personal projects. Having 12 WIPs going at once stresses me out, so what’s fun about that? I’ve managed to work my way down to five active personal WIPs since the new year (excluding my Beekeeper’s Quilt, which is a leftovers-eater and will likely be going on for quite awhile), and you know what? That feels really amazing. Really amazing.

I don’t know that I’ll ever be a totally monogamous knitter again. I’m not sure I can do just one project at a time; I’ve written before about the balance between having a complex project and a simple project going at the same time, and how it’s nice to be able to pick up whichever I’m feeling up for that day. But it does feel extremely good to be working through half-finished projects that have been on the needles for ages, neglected as I distractedly run from one thing to the other, starting new projects with reckless abandon. I thought I’d share one of those projects here on the blog today since it’s been a little quiet lately!

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This is the Splitta Genser, or Slitted Sweater, a pattern from the Pickles team (Pickles is a yarn brand/store in Oslo). I fell in love with the pattern right away when I first saw it on the Pickles blog, even though the sample is a vivid Pepto-Bismol-pink (I don’t tend to go for pink). I saw potential, and I saw how the silhouette would fill a hole in my handknit wardrobe – namely that I don’t have a lot of knits to wear with high-waisted skirts or dresses. I’m thrilled that the final result is exactly the sweater I had in mind when I cast on. Here’s a peek at the back:

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The overlapping panels is the detail that really sold me on such a simple knit. I think it’s a lovely feature and a little unexpected if you’ve only seen the sweater from the front. You can read my project notes and details over on Ravelry, and the pattern is available in both Norwegian and English.

I started this sweater in April of last year, so it’s a relief and a joy to finally have it finished, and I’m so happy it fits into my wardrobe in a way that nothing else I’ve made really does. It’s quite in line with the Stash Less philosophy I’ve been swept up in, so I feel like it’s helping me get off to a good start. I’ve been reorganizing the Paper Tiger studio again, trying to optimize the space to improve my focus and workflow, and I’m working on getting the whole yarn stash more or less into one place, where most of it is visible (see also: episode 11 of knit.fm, “Stash Control”). My hope is that this will help my shift in thinking, and prompt me to think about what I could be making with what I have on hand (and where that overlaps with what my own garment and accessory needs).

I’d love to hear about your own efforts at stash control or project planning. How do you keep things from getting out of hand?