This year marks the third year in a row that Tolt Yarn and Wool in Carnation, Washington has celebrated Tolt Icelandic Wool Month for the month of March. Back in 2015, I released my hat pattern Moon Sprites in conjunction with Tolt’s first celebration, last year Tolt released the beautiful Blaer cardigan by Beatrice Perron Dahlen of Thread & Ladle, and this year I’m pleased as punch to once again be contributing to this celebration of Icelandic wool. This year, I’ve designed Skógafjall, a bottom-up round yoke pullover knit up in Léttlopi (which is probably my favorite weight of Lopi).
For the vast majority of us, choosing Icelandic wool doesn’t mean choosing local wool (the two most obvious exceptions being people who live in Iceland, or people outside of Iceland who raise Icelandic sheep). But it does mean supporting the yarn industry of Iceland, a country whose population is smaller than most cities I’ve lived in – and that means a lot. And the wool itself is reason enough for me to choose it, since it both affordable and adaptable, suitable to many different types of winter (and sometimes summer) climates. It’s definitely suitable to my current northern Norwegian climate, and that is part of how I arrived at the design that became Skógafjall. I’ve spent a lot of time thinking about the ties between Icelandic and Norwegian wools, and the historical genetic links between the heritage sheep breeds found in these two countries – and all of that led me to want to design a sweater that pointed at that shared heritage in some way.
So while it uses Icelandic wool, this sweater is inspired by my local Norwegian landscape and the verdant mountains I’m surrounded by in the summer months. The geology of Norway is quite different than Iceland’s – Iceland straddles two continental plates and its geothermal activity means it’s made up of cooled lava fields and volcanic rock, whereas Norway’s rocky landscape is largely sedimentary. The deep green body of Skógafjall gives way to lighter greenery in the yoke and finally a heathery grey at the neck, which mimicks the rocky mountaintops of my immediate surroundings – and they’re easy to see when the tree line is as low as it is in Tromsø.
The yoke pattern is equally evocative of the local landscape around western Washington, which makes it feel like a fantastic fit for Tolt and this annual celebration. The name Skógafjall can be translated as “forest mountain,” more or less – though we’ve dubbed it “a sweater for exploring the forest, mountain, city or sea,” and I think it would be just as at home in all of those places.
You can find Skógafjall on Ravelry here, or on the Tolt website here. Huge thanks to the whole Tolt team for letting me be a part of Icelandic Wool Month once again, and making sure this pattern got done in time while dealing with my grad school schedule – Anna, Clare, Karen (who knit the beautiful sample!), Kim (who modeled it so beautifully in these photos), and everyone else. You’re all the best. And I can’t forget to mention that Narangkar Glover did a lovely illustration of Skógafjall for a new Tolt project bag, too! It’s available in the Tolt shop here.
I have Iceland-related knitting plans lined up for this month, although my yarn choice is a little unorthodox – but I’ll save that for another post.
Related posts from previous years:
- It’s hard not to fall in love with Iceland – a guest post on the Tolt blog from 2015
- moon sprites & icelandic wool month at tolt – on the first Tolt Icelandic Wool Month in 2015
- reykjavík so far – a 2014 dispatch from DesignMarch and the Reykjavík Fashion Festival, which I attended with Cirilia Rose and Stephen West