hello, june

e4fd923dfe56370d-IMG_4238

In my last post I mentioned that I was going to Oslo for the weekend, and that turned out to be a very good idea – after a weekend of summer-like temps and sunshine in Oslo, it was snowing in Tromsø when I arrived home late Monday night. “Velkommen til vinteren,” said my cab driver as I got into a taxi a the airport (that’s “welcome to winter”). It’s been above freezing, so the snow didn’t really stick around, but the higher altitudes on the island turned white again for a little while. I posted a video of the snow on Instagram from the university campus, which was reposted by the CNN account this morning (it’s a bit surreal to see that something you filmed on your iPhone has over 100,000 views).

In any case, Tromsø is still distinctly un-summery and I’m even feeling a little bit under the weather today, so I thought it would be nice to revisit some of the photos I took over the weekend (which was absolutely jam-packed with buddies and lots of time spent outdoors in the beautiful weather). Katie, who started the Oslo Strikkefestival, was telling me that May is her favorite month in Oslo, and it’s easy to see why. The whole city feels like it’s in full bloom, and the new green leaves feel positively lush.

f14edf4ef520b1e2-IMG_4188

These photos were taken in Slottsparken (or Palace Park), the public park that surrounds the royal palace, but we visited several parks over the course of the weekend, including Frognerparken (always a favorite) as well as one I knew of but had never been to, Ekebergparken, which sits up on a hill east of central Oslo and features some truly beautiful views over the city and the Oslofjord (and it’s also a sculpture park). Even though I’ve spent a summer in Oslo before, I didn’t arrive until mid-June, so I never realized how many lilacs there were all across the city! The smell as you stroll around is simply divine. Up north the lilacs bloom much later – and spring/summer up here is even later this year than normal.

726e509a7281e25f-IMG_4240

513111d09bb0df9a-IMG_4239

I’m so incredibly grateful to have had such a beautiful weekend, and I’m feeling pretty spoiled by it all. Oslo truly is one of my favorite cities.

I’ve also continued to have lighter-weight spring and summer knitting projects on the brain, and I’ve made headway with my two laceweight projects. I made some progress on my Loess wrap (aka my “sommarøya wrap”) while in Oslo, and I’ve been focused on my Garland pullover since I got home. I finished the main body, so you can finally see the garment starting to take shape, and I’ve started the first sleeve. This welthase yak lace is such a pleasure to work with.

9b7d804416daa3b1-IMG_4072

The slightly desaturated pink of the yarn goes quite nicely with all the photos of blossoms, don’t you think? Now, if only we had some blossoms of our own in Tromsø…

9ff5cfaa3d278480-IMG_4231

queue check: may 2017

5c671c7584cf5342-fika-and-siv

I continue to be a fan of Karen Templer’s Queue Check posts over at Fringe Association as a way to keep track of knitting projects and to prioritize upcoming projects, and it’s been a little while since my last check-in on that front. I sent off a version of my thesis draft to my supervisor today – and while it still needs a lot more work in the next two weeks, I thought I’d take the evening off and do a little queue check of my own!

Starting with the projects mentioned in my previous queue check post from February: both pairs of socks mentioned in that post are off the needles and I’ve been wearing them constantly (they’re pictured above). I ended up working on them at the same time, and that seems to have started me on a trend of working one patterned pair and one plain pair of socks at the same time, which I’m really enjoying. Socks are definitely continuing to be soothing knits in a stressful time. I’ve finished a third pair since that post, which I haven’t mentioned on this blog yet, but I’m going to save all of that for another day for what will probably be a blog post dedicated solely to socks.

12055ffc6d5683c6-queuecheck-socks-may2017

I have two new pairs on the needles at the moment. The plain pair above is Lumineux by Ysolda Teague, which I’ve wanted to knit since it came out in last fall’s Knitworthy collection, because it looks like the coolest afterthought heel of all time. I’m knitting the vanilla sock version, not the textured one shown in the pattern photos, because the heel construction is the main thing I’m interested and I love the speckled yarn in plain stockinette. I’m using the We Love Knitting yarn from sweet Claire that I got at last year’s Oslo Strikkefestival, and it feels great to cast on with it after it’s been waiting on the shelf for a few months. I’m using the speckled blue and white as my main color (and I believe the colorway is called Icicle, which feels super apt because it makes me think of nothing so much as Elsa from Frozen) and the lovely tonal grey for my contrast heels and toes. On the bottom, the patterned pair of socks I’m working on is super special: Aimée of La Bien Aimée in Paris has a brand new colorway called Everything is Awesome, named after the song that Tegan and Sara did for the Lego movie, and it’s a silvery grey base with vibrant rainbow speckles. I love Tegan and Sara and this yarn has got to be one of the coolest things I’ve ever worked with – it is so much *fun*. My skein is on Aimée’s Merino Twist Sock base and I didn’t want to knit just vanilla socks with it, so I’m working up a pair of Speckled Space Socks by Amanda Stephens, which are proving to be really enjoyable. But enough about socks for now!

1606f2274c7206d9-dalur-and-bruntsfield

Moving on to garments, I’ve finished my Norwegian wool Dalur (pictured at left), which I started in March for Tolt Icelandic Wool Month (and I blogged about my initial plans for it here). I’m planning a full FO post with proper photos for this one once my thesis is turned in, because I love this sweater and I love Norwegian wool and I want to give myself space to say everything I want to say. For now, just know that I’m super happy with how it came out and I look forward to sharing it with you properly. I do still have a greyscale garment on the needles, however – last month I finally cast on for my Bruntsfield vest (pictured right), another Ysolda pattern. I first swatched for it nearly a year ago last May, around the same time I swatched for my Sandneskofte, and I am absolutely loving how it’s working up – the colorwork has proven very addicting, even with the frequent color changes and spit splicing of yarn. I’m nearly through the main part of the body and will be adding steeks for the armholes and the V-neck soon. This one also happens to be Norwegian wool (Rauma Finullgarn) so even though it’s a very different garment, it feels like a cousin to my Dalur somehow.

34bec3c69dc1b674-loess1

I’m wanting to clear my needles of old WIPs as well, so I recently picked up a project I started last year which has been hibernating for months and months: my Loess wrap (pattern by Christine de Castelbajac for Brooklyn Tweed), which I’m calling Sommarøya after a nearby island with beautiful turquoise waters whose name means “summer island.” This one’s a laceweight project, although it actually moves fairly quickly on US 5 / 3.75mm needles, so it feels like I could finish it this summer. I’m knitting it in a merino silk hand dyed yarn, Soft Like Kittens Nestling Lace, which is super beautiful. Annette of Soft Like Kittens stopped dying regularly a few years ago so I’m so pleased to have gotten one of the lace weight yarns she did (of which there weren’t all that many, I believe). The colorway is called Pool Tile, which only adds to the summer vibe of this project, and I’m really enjoying it. It’s going to be a lovely lightweight summer scarf when it’s finished.

01ab60676d12fe68-queuecheck-zara

ccb6588e56eb3146-queuecheck-garland

I have some upcoming projects on the brain as well. I’m planning a Zara tee in Quince & Co. Sparrow with one of the new marled shades, Mineral (I seriously adore these new Quince & Co. marls, you guys), and I’m planning to use the luxe Blue Sky Fibers Metalico in Platinum as my contrasting color. While that one will absolutely continue the greyscale garments trend I have going so far this year, the other planned project definitely bucks that trend and even gets me out of my usual color comfort zone entirely – I’m planning a Garland by Stefanie Pollmeier from Pom Pom issue 7 with some super gorgeous yak lace from welthase, which is a luxurious lace weight merino/silk/yak blend. I’ll be using the colorway Rosen, which is a subtle dusty pink that positively glows. Something about the spring months puts pink on my mind, even if it’s still too early for any kind of blossoms in Tromsø. This one will be my project for the Pomfest KAL, the knitalong taking place in conjunction with Pom Pom Quarterly‘s fifth anniversary celebrations – but more on that later!

Once I’ve laid it all out like that, it seems like an awful lot of knitting. But for various reasons we don’t really need to go into here, I’ve been seeking out comfort constantly lately, and for me that’s meant an hour or two of knitting before bed every night while listening to Harry Potter audiobooks. I can think of worse things, can’t you?

april musings

bf84671e736175db-IMG_3197

As the rest of Norway is getting ready for påskeferie (Easter holiday), stocking up on Solo and Kvikk Lunsj (orange soda and Kit Kats, basically) and preparing to head to their cabins for a cozy week of skiing/reading/knitting/beautiful time off, I am in the throes of my thesis writing, which will continue all through the Easter holiday. No time off for me. It’ll be really sleepy around Tromsø, but maybe that’s a good thing? As my thesis deadline has crept closer I’m spending more time inside, hunched over the computer, and I get out for fewer walks. Maybe the Easter holiday will be a good excuse to improve upon that situation. I could definitely use the fresh air.

April in Tromsø means a constant cycle of melting snow, rain, and dips in the temperature that bring fresh snow again. Indecisive skies mean sun one minute, clouds and precipitation the next. But that indecision and constant change sounds like April in most places, doesn’t it? (Even if in most places it involves more flowers.) I’ve been deeply envious of all the springy flower photos from back home I’ve been seeing on Instagram recently, but today I find I don’t mind this indecisive Arctic “spring” weather. I suspect this is the result of eating well this week, cutting back on refined sugars (I have a horrible sweet tooth) and going for fresher foods. The longer days help, too. Today’s sunrise was at 5:20 AM and sunset is at 8:10 PM – the midnight sun begins in just a month and a half.

In any case, for now I am living from day to day and keeping that thesis deadline in sight (it’s May 15). It may be a little quieter around here while I work on finishing my thesis. I get in a little bit of knitting time in the evenings, but not more than that. But because it might be a little quiet around here in the coming weeks, I thought I’d share my current progress on the projects I’ll be working on during that precious evening knitting time.

First up, I’m knitting away on my Norwegian wool Dalur (blogged here), having finished both sleeves. After the colorwork section at the hem, the body is just stockinette in the round, so once I cast on for that I think it’ll go quite quickly at this large gauge. But I’ve been waiting for a weekend day when I can dedicate several hours to getting the body started, because I’ll work a tubular cast on which takes some attention (and in that charcoal yarn, probably also some good daylight). Apparently I haven’t taken a new photo since I finished the sleeves, but this still gives you an idea of what a gorgeous sweater this is going to be. I’m really looking forward to working the yoke once the body is finished. And I am loving, absolutely loving, knitting up a sweater out of the Hillesvåg Blåne. This yarn is really special.

17493735_1821066191486830_4037012307526549504_n_medium2

I’ve also been working on both pairs of socks I mentioned in this post, and they have been every bit as soothing as I’d hoped they’d be in this busy and somewhat stressful time. I’m on the second sock of both pairs (Siv is a little further along than Fika at the moment, but I’ve been dividing my time between them pretty evenly – they’re both past the heel now).

IMG_2927_medium2

Above is the first of my Fika socks, which I’m knitting up in a BFL Tweed Sock base from Jorstad Creek. It’s such a lovely springy green to be working with at this time of year, and I can’t wait for them to be finished. I used the teeniest bit of Welthase Fingering Light in Hazel for the contrasting toe stripe.

17587247_253016265107129_8759392384929759232_n_medium2

And my beautiful Siv socks. I wrote about this on Instagram, but the combination of this yarn on these needles is really doing it for me. It’s such a pleasure to knit with. The yarn is the MCN sock base from Kat’s Riverside Studio in the Storm colorway, and I love that I think about my trip to Montréal every time I pick these up to work on them. And I am going to love wearing these.

I actually have more socks planned for my next project – I’m really looking forward to casting on a pair of socks with this super gorgeous yarn I picked up from Hannah of Palindrome Knits (I’m thinking By the Seine River might show off the colorway really nicely) and there’s something super special coming in the mail from La Bien Aimée as well, but I’m definitely waiting until I finish at least one of these pairs before starting any more socks. With any luck it won’t be long now, even with the long writing days.

a twist on tolt icelandic wool month

d7c9467f4acf388e-IMG_2694

In my last post I mentioned that I have Iceland-related knitting plans lined up for this month, although they don’t exactly fit the parameters of Tolt’s Icelandic Wool Month. I wrote about how Skógafjall was the result of ruminating on the historical links and similar properties of Icelandic wool and some of the Norwegian wools – and I have continued to spend a great deal of time thinking about that. Ending up with a sweater in Icelandic wool with ties to the Norwegian landscape was a lot of fun – but I’ve found myself thinking about the inverse, too. What about a traditional Icelandic lopapeysa pattern that’s knit up in a suitable Norwegian wool?

Since the very first time I worked with Hillesvåg’s Blåne – their bulky weight pelsull yarn – I have thought it would make a good substitute for the bulky Álafoss Lopi. So I’m going to put that idea to the test! Last year I purchased a sweater’s worth of undyed grey Blåne to make a pullover for Chris, but after finishing both sleeves and most of the body, I finally admitted to myself that 1) the yarn was too heavy for the pattern I’d chosen, and 2) the yarn was totally the wrong yarn for him; I bought it because*I* liked it. So I’ve bought replacement yarn for his sweater and I’ve spent months trying to find the right match for all this beautiful grey Blåne, looking for the kind of pattern that makes me think, “Yes! That’s totally it!” I think something about the approach of Icelandic Wool Month finally got the gears really turning.

c2046bbcc8e4c21d-IMG_2695

A couple of years ago just before the first Icelandic Wool Month, Anna from Tolt knit a Dalur in Álafoss Lopi for a trip to Iceland she was taking that March. I’ve been a little bit in love with Dalur ever since, and I realized a few weeks ago that if I bought the contrasting colors, I could finally have a plan for all that grey Blåne, and I’d get to see how good a substitute it really is for Álafoss Lopi. So I bought a few skeins of the dark charcoal grey color (which is sadly discontinued, so I’m happy I could still get it locally), and since Blåne’s undyed color is the medium grey, I went with a different bulky yarn base for the white – Troll, which is still a 2-ply yarn spun by Hillesvåg and still Norwegian wool, even if it’s a different breed, so I’m hoping it will be a good match in the colorwork sections.

I’m planning to at least cast on for this sweater this month, although I don’t expect to finish it by the end of March (I would like to prioritize Chris’s sweater!). As you can see in the photo at the top of this post, I still need to frog the pieces of last year’s ill-fated first attempt to use this grey yarn, so it might be a little while before I get around to it. Nonetheless, I love working with this yarn, and I’m really looking forward to it.

Dalur is available in the book Knitting with Icelandic Wool, which is also available in Norway under the title Islandsk StrikkWill you be doing any Iceland-related knitting this month?

project planning: soothing knits

I mentioned on Instagram this week that I’ve been in a little bit of a slump lately. I’m sure there are several contributing factors – the slog of mid-winter (and so far one with much less snow than usual), the feelings that come with the weird middle stretch of my thesis work (totally normal, but hard to shake all the same), and the political situation back in my home country (let’s just go with “it’s a mess” and not say any more about that here, shall we?). I also fell of the metaphorical horse with my exercise plan after several months of working out regularly and it’s been hard to find my way back in. Exercise makes a huge difference when you’re feeling down, or at least it does for me. Nonetheless, I feel like I’m on the upward curve again, thankfully.

A trip to Montreal at the end of January helped with that. I’ve been before, but it’s still not a city I know very well, so there’s so much to explore – and as a result, seemingly endless inspiration. I popped into La Maison Tricotée while I was there on a beautifully sunny Sunday, where I picked up a skein of sock yarn as a souvenir. That seemed like a great way to kick off a post of my upcoming knitting plans – and I think you’ll sense a theme: soothing, repetitive knits.

28f741e243c7461f-queue-check-siv-socks

The skein of sock yarn I brought back from Montréal is Riverside Studio‘s Merino Cashmere Nylon fingering in the colorway Storm. I’ve knit exactly one pair of socks using a sock yarn with cashmere – these plain stockinette socks in Dream in Color’s Smooshy with Cashmere – and they shot to the top of my “favorites to wear” list almost immediately. The cashmere feels so luxurious. So when I saw a merino cashmere base at La Maison Tricotée, I jumped on it. Riverside Studio was new to me, but Kat is located in Farrellton, Québec, not too far from Ottawa, and it felt good to bring something home from a Québecois dyer. I like these colors, too, and the way they bring to mind winter to me – on some of Kat’s other bases, this color seems a bit bluer and more saturated, but something about the merino/cashmere/nylon base takes the color a little bit differently, and it really feels like it suggests snow, water in the mist, the sea reflecting snow clouds, and bare branches all at once.

I plan to make a pair of Siv socks with this yarn, from the first issue of Laine magazine. Another of my all-time favorite pairs of socks is my Twisted Flower socks, from the pattern by Cookie A – but I know that the allover traveling-stitches-and-lace pattern will be too much for me when I’m working to get my thesis done. Siv’s panel of traveling stitches feels like a nice compromise. But I won’t be starting these until I finish my current sock project…

89dd472f9101ba5f-queue-check-fika

When I got back from Montréal I started a pair of Fika socks, with this springy green Jorstad Creek BFL Tweed Sock yarn. The twisted rib leg and stockinette foot definitely counts as repetitive and soothing right now, and I’ve wanted to make a pair of Fika socks since the issue of Pom Pom that they’re in first came out – nearly two years ago now. I’ve been wanting to use the yarn even longer – it’s been in my stash since 2013, since I bought it at Knit Fit in Seattle, where I had a booth at the marketplace and the Jorstad Creek both was right across from mine. I’m about halfway through the first sock now and it feels so good to finally use a yarn that’s just been languishing in the stash for years.

c09704cde05086d8-queue-check-lilac-wine

I’ve also been thinking about what I want to do with these two skeins of Woolfolk Tynd in Pewter. I bought them back in 2014 and I originally planned to make a pair of Fure armwarmers from Woolfolk’s first pattern collection with them, but I’ve gone this long without casting on even though I really want to work with this yarn. So I’ve come to terms with the fact that it’s probably not the right pattern for me (and besides, my Inglis mitts are plenty long for me, it turns out). Again, I’ve been thinking about patterns that are soothing and repetitive, which will fill a gap in my wardrobe, and I’m pretty sure some kind of simple cowl would be a good way to go here. The Woolfolk is really soft, which makes it an ideal next-to-the-skin sort of yarn, and a cozy cowl I can tuck into the top of my coat when it’s not cold enough for a big scarf sounds fantastic. I’m not totally set on this yet, but I’m thinking about Lilac Wine by Amy Christoffers, which is a perfect blank canvas for a really beautiful yarn to shine. (Note that Amy’s site no longer seems to be active, so clicking the link on Ravelry will give you an error message, but you can copy/paste the direct link into the Wayback Machine at archive.org to access it). For a stretchy cowl, the difference in yarn weight isn’t an issue.

There are more projects in the pipeline, but I’m trying not too get too ahead of myself as long as my thesis is my main focus. But these are some of the projects and yarns I’m looking forward to the most. Interestingly, two of these involve a lot of 1×1 ribbing and one involves traveling stitches – and I recognize that for some folks, neither of those things says “soothing.” So I’m curious: what kind of knitting is most soothing for you? Are there particular kinds of yarns, projects, or stitch patterns you gravitate towards when you want some easy comfort knitting? I’d love to know!

slow fashion october: introduction

e16a5a7d366db322-IMG_9622

When Karen launched Slow Fashion October last year, I really wanted to participate. I wasn’t able to take part in any very active way, though, for a variety of reasons. For one thing, I was knee-deep in the first semester of my master’s program, trying to keep up with readings and homeworks tromand paper-writing after several years away from any type of schoolwork. For another, I had only moved to Tromsø two months before, so I was only just beginning to adjust to my new climate, which has had (and continues to have) a great effect on my wardrobe. This year, I’m in a much better place to join in on Slow Fashion October with some active reflection. I’ve spent over a year in my new climate and I have a much better idea of how it’s transformed my relationship with clothing. It’s also been a year and a half since I decided to step away from running Paper Tiger as my full-time day job and start the transition back to this being a part-time gig. It feels like a good moment for reflection.

For those unfamiliar, Slow Fashion October was started by Karen Templer of Fringe Association last year as an opportunity for conversation – about what “slow fashion” is and means to us, about the ways in which we approach it, and reasons why a slow fashion wardrobe is a choice many of want to make. In Karen’s words, “the conversation is not just about handmade — it’s about all the ways (and reasons!) we can approach a slow-fashion wardrobe.” This includes finding ways to make do and mend, buying second hand, and thinking about how to keep clothing out of the landfill. I have many, many thoughts on fast fashion and the state of the fashion industry, but for today I’ll focus on how my own context affects my approach to clothing.

1747fcc2f67e73fd-IMG_9662

I’ve spent much of the last year thinking critically about my wardrobe and how my move to Norway is affecting my choices, as well as ways to make do with what I have. Even though I donated about half of my yarn stash before the move, my stash is still…. sizeable, to say the least. It no longer overwhelms me, but I would like to knit from it before buying new yarn, and it always feels good to find the holy grail: the right project that fits into my long-term wardrobe plans using yarn I already have. So I’ve slowly (very slowly) started to catalog my stash using Ravelry’s stash feature. While it’s an ongoing process, I’ve already seen the benefits – starting to catalog worsted weight yarns on Ravelry led directly to my Fringe & Friends KAL sweater (pictured at top, and nearly finished!), knit entirely from yarns in my stash. I don’t think that stripe sequence would have popped into my head if I hadn’t been handling the yarns and noting the quantities for my Ravelry stash page.

So, how has my new climate affected my wardrobe? Those of you who follow this blog know that I live in Norway, but many of you probably don’t realize exactly how far north Tromsø is. This felt like a good opportunity to provide some conext:

01b78a522ea170d8-tromsomap-01

Tromsø sits at 69ºN, well above the Arctic Circle (and the entirety of Iceland, which only just barely crosses the circle), and nearly due north of Stockholm (since Norway wraps around the northern coast of the Scandinavian peninsula, it shares a border not just with Sweden, but also with Finland and Russia). I’m up thereTromsø is about as far away from Norway’s capital, Oslo, as upstate New York is from Savannah, Georgia. Thanks to the Gulf Stream winters are actually quite mild for this latitude, but there’s still about four months of the year when we’ve continuously got snow on the ground. Summers are also mild – 20ºC/70ºF is a hot day – and they can be on the wet side. It’s often pretty windy here. My wardrobe has been moving in a more androdgynous direction for a few years, and living in Tromsø has definitely continued that trend, along with a healthy dose of practicality. When I think about things I want to make for myself now, I’m always taking the weather into account. This is obviously a wool-friendly climate, and truth be told, the biggest gap in my handmade wardrobe now is socks. I wear my few pairs of handknit socks with boots on a very regular basis for most of the year.

Breaking my shoulder in March had an effect on my sartorial choices as well. Spending two months in a sling with instructions not to move my arm in certain directions meant getting in and out of clothing became a special challenge. Button-down shirts and loose boxy tops that were easy to pull on and off with one arm became my go-tos, and to be honest, things didn’t really change that much after my shoulder started improving and I could move my arm again. Clothing that layers well and fits under a coat or jacket is also important. That means most of the time I find myself at a happy medium between fitted clothing and super oversized pieces.

95bb2195009b5f15-IMG_9648

Continuing this line of thought, I started off Slow Fashion October by frogging a sweater. In the midst of reassessing my wardrobe, I’ve realized there things I just don’t wear anymore. With the exception of the short summer, I rarely wear skirts or dresses here, so my pre-move plan to knit more things I could wear with high-waisted skirts now seems pretty low on the priority list. When I do reach for a sweater to wear with skirts or dresses, it’s my Chuck. Those of you who have been reading this blog for awhile may remember the sweater pictured in that previous blog link – my Splitta Genser, with the lovely foldover back and dark grey garter stitch. It’s a nice sweater. I genuinely thought it would help fill a hole in my handknit wardrobe. But – here’s the crucial bit – I never, ever wear it. Truth be told, it came out too small (it’s been rather aggressively blocked in those FO photos). Also, dolman sleeves? Not for me, it turns out – they don’t work so well when you try and tuck them into a jacket. So over the weekend, I sat down and carefully unpicked the grafted seams and then frogged the whole thing. I love wearing grey and I have more of this yarn; I can easily turn it into something I’ll actually wear on a regular basis. I’d rather have it as yarn waiting in my stash than as a sweater that I never wear (clothing storage space is at a premium for us in our closet-less Norwegian apartment).

When it comes to buying ready-to-wear clothing, I’m a little at a loss these days. I find it very hard to avoid fast fashion in Norway and I’ve ended up buying clothing online from the US instead because I know I can buy from companies who are doing their best to make ethical business decisions and promote transparency in the fashion industry. If any Europeans (especially in Scandinavia) have suggestions for clothing companies that are sourcing their fabrics ethically and manufacturing domestically, I’d love to hear about it. Basically, I’m looking for a Norwegian version of my favorite shop in Seattle, Velouria. It feels like it must exist, but if it does, I don’t know about it yet. I guess the silver lining is that I don’t really need anything new – I do have plenty of clothes already.

There’s so much more I could say about my thoughts on slow fashion, but I’ll save some for future posts. I’ve already been doing a lot of thinking and reading in these first few days of October. Karen linked to a really important piece of writing called No One Wants Your Old Clothes – it’s an eye-opening piece that feels like an excellent prerequisite to this year’s conversation. I also just last week started reading Empire of Cotton by Sven Beckert, which is already an excellent book just two chapters in and I’ll have a lot more to say about that in a later post as well. Will you all be taking part in this year’s Slow Fashion October?

project updates

Since the whole idea of my queue check of sorts from a few weeks back was to hold myself accountable to my plan, I figured I’d post a follow up! I’ll start with the good news:

6d8f0caaaeb6d759-IMG_8980

I finished the Hugin and Munin mittens! As I mentioned in the earlier post, these only needed thumbs, so once I had time to sit down and chart them out, the knitting itself was pretty quick. I’m so pleased with how these turned out, and even more pleased that they’re finally done! The Rauma Finullgarn is so fantastic for mittens, and since these are knit at a fine gauge (on US 1 / 2.25mm needles) they’ll be very warm.

4bbb6ca99661f85c-IMG_9088

I also powered through and finished my Inglis Mitts in time to wear them this year before it’s too cold! Already I’m wearing them without the top folded down a majority of the time, so they’re extra long. My project page now also incredibly has an absurd number of faves on Ravelry, since Sarah featured my mitts in a community eye candy post on the Ravelry blog (thanks Sarah!). And if you’ve been eyeing the Inglis Mitts but didn’t get the Edinburgh Yarn Fest magazine in which they were originally published, I’m really happy to be able to let you know that they’re now available as an individual pattern on Ravelry.

I’ve also made some progress on my Dunaway scarf, though I have yet to finish it. I think that’s probably top of the priority list now.

The neutral news: I haven’t touched my Sandneskofte since I last posted about it, but I still have plenty of time to finish it before the Oslo Knitting Festival, so I’m not too worried about that.

1216eae204b407d8-IMG_9100

The curve ball: many of you probably saw on Instagram that I did end up casting on something new after all. It was one of those times where you get an idea in your head and it just takes hold – I tried to push it to the back of my mind for later, but this was one was stubborn. I got an idea for a stripe sequence that would use up a bunch of worsted weight yarn in my stash and I couldn’t get it out of my head. After a couple of days of trying not to think about it, I gave in and decided to work up a little swatch to test the sequence of stripes to see if it would work out in real life the way it was working out in my head. And oh, it did. I wrote last time about how satisfying it is to find a happy marriage of stash yarn and pattern, and once I saw that this stripe sequence would work, imagining the sweater I could use it on was the easiest thing imaginable. And so I threw caution to the wind. I decided to join in on this year’s Fringe and friends KAL with my stripes, so I’m working my way through an improvised top-down pullover. To make it go quickly so as not to disrupt my existing project plans too much, I’ve worked the whole thing seamlessly in the round, with purl columns on the sides of the body in case I want to seam the sides. Stockinette in the round is my speediest knitting, and on US 8 / 5mm needles it is flying along. It’s ready for the sleeves, but I think I’ll knit those flat.

I’d like to wrap this up soon, but I think I should finish the Dunaway scarf first! And so that’s my planned weekend knitting. What will you be working on this weekend?

project planning

IMG_8076_medium2

I’m a big fan of Karen Templer’s Queue Check posts over at Fringe, and if I’m honest it’s prompted me to assess the state of my own knitting queue with an eye towards prioritization and realistic expectations. (That sentence may be one of the least romantic things I’ve ever written about knitting on this blog, but I know some of you out there can relate – with perpetual startitis and too many projects on the needles at once.) Looking at my actual planned projects with a practical eye is one of those things that helps inspire me to knit the things I really want to knit, and that I really want to wear.

The other thing prompting me to think this way about my knitting has been coming to terms with the state of my yarn stash over the past year after moving into a 500 square foot apartment with my husband. There’s a lot of yarn that I’m frankly never going to get to, especially as I continue acquiring new and exciting Norwegian yarns that I want to explore and share. But I’d also really like to find the stuff in my stash that I can use to make the things I want, so I’m thinking about pattern choices, yarns, and project timelines much more critically than I used to. I know I will still occasionally throw caution to the wind and cast on something new that gets me excited – but it’s way more awesome when that happens because I’ve finally found the right pattern for that skein of laceweight yarn I bought several years ago (I’m looking at you, Loess). That kind of experience is great. So I’m moving toward an approach that allows room for that, but that also has some more structure than I typically employ now.

At the moment, I’ve got 13 projects on Ravelry listed as WIPs. While I know people with far more than that, I sometimes get jealous of the monogamous knitters who stick with one (or maybe two) projects at a time. Even though I’m already planning future projects, I know I’d like to work my way through finishing up some of these existing ones first. Some are close – a pair of mittens that only needs thumbs, for example, or small projects that come in pairs (mitts, socks) where the first of a pair just needs its mate. Some are larger, like the Sandneskofte I’m knitting in Buachaille (pictured above). I think at this point that I actually find the prioritizing pretty easy, but sticking to my plan is the hard part. So in the interest of trying to hold myself to some sort of plan as well as actually sharing some projects-in-progress on the blog, here’s a sort of State of the Knitting Address.

IMG_7982_medium2

Short term goals include finishing the thumbs on these Hugin and Munin mittens in Rauma Finullgarn. This should be the easiest thing in my WIP pile, but the catch is that I designed these myself (the ravens come from my university’s seal) and I haven’t actually charted the thumbs yet (oops). Once I sit down and decide on the charts, however, I should be able to knock these out super quick. And then I can wear them! Hooray! I definitely don’t want to go another winter with these as a nearly-done WIP.

13725617_554523844737869_220324170_n_medium2

I’d also like to wrap up my Inglis Mitts in Ysolda’s Blend No. 1 relatively soon, because they’re going to be really useful in just a few short weeks. In fact, I expect September and October to be prime time for these mitts, and if I don’t have them done by then they won’t really be useful again until spring. No time to waste!

13714205_140585879718765_1335983089_n_medium2

Lastly, I’d like to wrap up the Dunaway scarf I’ve started for my husband in time for him to wear it before the weather gets really cold; and I’d like to finish my Sandneskofte (pictured at top) in time to wear to the Oslo Strikkefestival in November. Dunaway is lovely mindless knitting, perfect for TV and movie-watching, and the Sandneskofte is actually farther along than that photo shows (I’m at the point, in fact, where I need to decide whether or not I’d like to make it a V-neck). That makes these goals all feel relatively achievable in the next couple of months, even though they’re going to be busy. As long as I stick to the plan!

Is your queue out of control or do you like to stick with one project at a time? Do you have project management strategies when you want to knit all the things? I’d love to hear about it in the comments!

september bits

September second marked one month in Tromsø for me. It also seems to be a seasonal milestone: in the past week there’s been a noticeable change in the weather, almost like someone’s flipped a switch. The air outside feels fresh and brisk. A few of the eager birches are starting to turn golden yellow, and the colors on the mountainsides have (just barely) started shifting from green to bronze. I turned on the heat in my apartment for the first time this week. As someone who grew up in North Carolina, where it always felt like it took aaages for fall to come around (especially since people started talking about it in August), I have to admit I’m enjoying the early shift. I’m already looking forward to snow appearing on the mountains nearby, and I’m very curious to see when the first snow in the city will be this year. We shall see!

66b2a9cf221582a0-IMG_4867

In an attempt to bottle up some of the remaining arctic summer, I made red currant jelly this week. I got the idea from Unlikely Pairing and then loosely followed the instructions on this blog. Highly recommended. Otherwise I’ve still been working on settling into the new apartment (we finally got some of the art up on the walls) and focusing on school. I’ve been scoping out study spots and I’m pretty sure I’ve found my favorite on campus.

For those who are curious about what it is I’m doing in school, I wanted to point you toward this bit on BBC Radio 4 (streamable online through the end of the month). It’s an episode of Fry’s English Delight – and I love Stephen Fry – called English Plus One, all about bilingualism. The area I’m planning to focus on for my thesis is bilingual language acquisition in children, which is one of the topics that comes up. It’s a half hour segment and interesting stuff for anyone who’s interested in language.

140f8921a8254c68-IMG_4772

Finally, I’ve actually been able to start knitting again regularly! Some days it’s a few minutes and others it could be an hour or two, but it’s been so nice to be able to unwind with knitting again. The change in weather has certainly helped encourage me to pick it up this week.

And speaking of knitting, some pieces of knitting news:

– Karen has highlighted some of the creative mods knitters have made to Laurus over on the Fringe blog. You know I love mods, so I loved this post!

– If you’ve ever wanted to knit yourself a Sundottir but you’ve been putting it off for whatever reason, you might want to join in on Fern Fiber’s Sundottir KAL! Cast-on date is September 23rd and you can get the pattern for 10% off if you’re joining in. Fern Fiber is a natural dye company run by Maria and Nikki (who you’ve probably heard before if you listen to the Woolful podcast – they’re frequent Man on the Street contributors) and they’ll also offering a limited number of yarn kits in the colors of your choice for the KAL. You can read up on the KAL details in their Ravelry group and check out the listing for the naturally dyed yarn kits on Etsy.  Fern Fiber hail from North Carolina (my home state!) and I’m so excited they’ve put this KAL together. It makes me wish I had time to take part (or that I needed another Sundottir).

– Have you heard that Kate Davies has developed a yarn? I’m ecstatic about this news! It’s called Buchaille and you can read all about it on her blog in a series of posts – everything from how they sourced the fiber (all Scottish), where is was scoured and prepped for spinning (with a behind-the-scenes tour of the facility), what kinds of colors will be included in the line, and more. There will, of course, be a collection of patterns to accompany the release of the yarn.

a move; a shift; a change

f79c72ec3675a9b0-IMG_2792

I have some rather big news to share today. I’ve been looking forward to sharing it so I’ll get right to it – and for those of you who want to know the hows and whys and buts, you can read on below – but here it is:

I’m moving to Norway this August where I’m going back to grad school.
I’ll be starting a master’s in Theoretical Linguistics this fall at the University of Tromsø.

This is obviously a huge life changing thing – a move abroad is quite an undertaking in any case, and the scale of this one is pretty different than my first go-round (some of you may remember I once spent a year working in Hungary). There are many, many more practicalities to consider, I’m bringing a spouse along this time, etc. But it’s also a huge career shift from where I am at this moment and what I’ve been doing for the last two and a half years.

I’ve spent an immense amount of time in the last year trying to figure out what I want to do with my life. That’s a big question to ponder, and one we never totally figure out – we’re constantly evolving, after all. But it’s a question I definitely wasn’t really ready to answer when I was finishing my BA in Linguistics six years ago. I freaked out about finishing school and applied to grad school at the last minute. I got a Master of Arts in TESOL (Teaching English to Speakers of Other Languages), a program that put my linguistics background to very practical use and which I enjoyed immensely. I went to Hungary to teach. Hungary was wonderful, but it was exhausting. I decided to head home to Seattle at the end of my contract and give my long-held dream of running my own arts & crafts business a go. And what a go it’s been! But the challenges of being self-employed are myriad, particularly when one’s spouse is also self-employed. Sometimes we just don’t have an anchor, and I’ve struggled with it often. I’m incredibly lucky to have friends and colleagues to lean on for support, and I’m so lucky to have support from every one of you who’s ever sent me a message, knit one of my patterns, taken a class, said hello at a conference or trade show. It’s an incredible thing to make a job out of a passion, and I’m happy to have done it. But – of course there’s a but – I’ve been making myself face a lot of truths about the realities of the situation I’m in. Motivational realities. Financial realities. Trying to imagine what I want my business to look like five or ten years down the road. Can I even imagine still running my business five years down the road?

That’s opened the door to imagining all kinds of possible futures. If what I do now isn’t my career, then what do I want my career to be? It’s a big question (there have been a lot of big questions lately). So I thought about it, and then I thought some more. And then some more (and I’m still thinking about it). I started thinking about academia again, about applying to go back to school. My summer in Oslo last year was a little bit of a test-run/research trip, actually, though of course I didn’t divulge that here at the time. I quietly applied to grad schools last fall, and I also started thinking about the possibility of teaching English again (especially after I didn’t get in to a few of the more competitive programs I applied for). But when I found out I got into the University of Tromsø’s master’s program in Theoretical Linguistics, it was a game-changer. It’s a department I’ve followed since I was an undergrad, in a city I’ve been to and like quite a lot, in a country I really love. There are many reasons it’s neither the most practical nor the “safest” option at this juncture. There’s a lot of risk involved in a leap like this. And I agonized for a few weeks as I tried to make my decision about what to do. But in the end, I couldn’t say no – the stuff about this decision that doesn’t make sense falls away in the wake of all of the things that make total sense. Sometimes a big leap makes sense, even if it’s risky in some ways. And I am very lucky to have a partner who’s been supportive of this decision and is probably just as excited to move to Tromsø as I am.

So what does that mean for the future of Paper Tiger? It’s a valid question, and a good one. And the answer, of course, is that at this point it’s impossible to know. I’m not naive about what I’m taking on with a research-based graduate degree. I won’t make any promises about whether or not I’ll continue designing once school starts this fall. But I can say that this space isn’t going anywhere. I’ll definitely still be knitting (I’m literally moving to the Arctic, after all), and I plan to keep writing – about knitting, about Norway, about whatever seems relevant. I’m definitely excited for a chance to learn more about knitting in Norway, and get to know Norwegian yarns that are domestically raised and produced.

In the meantime, I do have a few things lined up for fall release that I’m working on before the move, so you certainly haven’t seen the last of my patterns yet. This is still my day job, at least for a few more months!

For those who will ask about the mitten in the photo: it’s purely selfish knitting! The university seal of UiT features stylized renderings of Odin’s ravens from Norse mythology, Hugin and Munin (representing “thought” and “memory”), and I couldn’t resist knitting them up in to an otherwise very traditional Norwegian mitten. I actually knit myself a pair of mittens when I got into grad school the first time around, too. I’m happy to say my skills have progressed since then!