queue check: may 2017

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I continue to be a fan of Karen Templer’s Queue Check posts over at Fringe Association as a way to keep track of knitting projects and to prioritize upcoming projects, and it’s been a little while since my last check-in on that front. I sent off a version of my thesis draft to my supervisor today – and while it still needs a lot more work in the next two weeks, I thought I’d take the evening off and do a little queue check of my own!

Starting with the projects mentioned in my previous queue check post from February: both pairs of socks mentioned in that post are off the needles and I’ve been wearing them constantly (they’re pictured above). I ended up working on them at the same time, and that seems to have started me on a trend of working one patterned pair and one plain pair of socks at the same time, which I’m really enjoying. Socks are definitely continuing to be soothing knits in a stressful time. I’ve finished a third pair since that post, which I haven’t mentioned on this blog yet, but I’m going to save all of that for another day for what will probably be a blog post dedicated solely to socks.

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I have two new pairs on the needles at the moment. The plain pair above is Lumineux by Ysolda Teague, which I’ve wanted to knit since it came out in last fall’s Knitworthy collection, because it looks like the coolest afterthought heel of all time. I’m knitting the vanilla sock version, not the textured one shown in the pattern photos, because the heel construction is the main thing I’m interested and I love the speckled yarn in plain stockinette. I’m using the We Love Knitting yarn from sweet Claire that I got at last year’s Oslo Strikkefestival, and it feels great to cast on with it after it’s been waiting on the shelf for a few months. I’m using the speckled blue and white as my main color (and I believe the colorway is called Icicle, which feels super apt because it makes me think of nothing so much as Elsa from Frozen) and the lovely tonal grey for my contrast heels and toes. On the bottom, the patterned pair of socks I’m working on is super special: Aimée of La Bien Aimée in Paris has a brand new colorway called Everything is Awesome, named after the song that Tegan and Sara did for the Lego movie, and it’s a silvery grey base with vibrant rainbow speckles. I love Tegan and Sara and this yarn has got to be one of the coolest things I’ve ever worked with – it is so much *fun*. My skein is on Aimée’s Merino Twist Sock base and I didn’t want to knit just vanilla socks with it, so I’m working up a pair of Speckled Space Socks by Amanda Stephens, which are proving to be really enjoyable. But enough about socks for now!

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Moving on to garments, I’ve finished my Norwegian wool Dalur (pictured at left), which I started in March for Tolt Icelandic Wool Month (and I blogged about my initial plans for it here). I’m planning a full FO post with proper photos for this one once my thesis is turned in, because I love this sweater and I love Norwegian wool and I want to give myself space to say everything I want to say. For now, just know that I’m super happy with how it came out and I look forward to sharing it with you properly. I do still have a greyscale garment on the needles, however – last month I finally cast on for my Bruntsfield vest (pictured right), another Ysolda pattern. I first swatched for it nearly a year ago last May, around the same time I swatched for my Sandneskofte, and I am absolutely loving how it’s working up – the colorwork has proven very addicting, even with the frequent color changes and spit splicing of yarn. I’m nearly through the main part of the body and will be adding steeks for the armholes and the V-neck soon. This one also happens to be Norwegian wool (Rauma Finullgarn) so even though it’s a very different garment, it feels like a cousin to my Dalur somehow.

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I’m wanting to clear my needles of old WIPs as well, so I recently picked up a project I started last year which has been hibernating for months and months: my Loess wrap (pattern by Christine de Castelbajac for Brooklyn Tweed), which I’m calling Sommarøya after a nearby island with beautiful turquoise waters whose name means “summer island.” This one’s a laceweight project, although it actually moves fairly quickly on US 5 / 3.75mm needles, so it feels like I could finish it this summer. I’m knitting it in a merino silk hand dyed yarn, Soft Like Kittens Nestling Lace, which is super beautiful. Annette of Soft Like Kittens stopped dying regularly a few years ago so I’m so pleased to have gotten one of the lace weight yarns she did (of which there weren’t all that many, I believe). The colorway is called Pool Tile, which only adds to the summer vibe of this project, and I’m really enjoying it. It’s going to be a lovely lightweight summer scarf when it’s finished.

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I have some upcoming projects on the brain as well. I’m planning a Zara tee in Quince & Co. Sparrow with one of the new marled shades, Mineral (I seriously adore these new Quince & Co. marls, you guys), and I’m planning to use the luxe Blue Sky Fibers Metalico in Platinum as my contrasting color. While that one will absolutely continue the greyscale garments trend I have going so far this year, the other planned project definitely bucks that trend and even gets me out of my usual color comfort zone entirely – I’m planning a Garland by Stefanie Pollmeier from Pom Pom issue 7 with some super gorgeous yak lace from welthase, which is a luxurious lace weight merino/silk/yak blend. I’ll be using the colorway Rosen, which is a subtle dusty pink that positively glows. Something about the spring months puts pink on my mind, even if it’s still too early for any kind of blossoms in Tromsø. This one will be my project for the Pomfest KAL, the knitalong taking place in conjunction with Pom Pom Quarterly‘s fifth anniversary celebrations – but more on that later!

Once I’ve laid it all out like that, it seems like an awful lot of knitting. But for various reasons we don’t really need to go into here, I’ve been seeking out comfort constantly lately, and for me that’s meant an hour or two of knitting before bed every night while listening to Harry Potter audiobooks. I can think of worse things, can’t you?

oslo strikkefestival: yarn

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I have a few posts-in-progress lined up for the blog once I have a chance to finish them, but as school has intensified this term, and the US election season approached its climax in the past weeks, it’s been a bit of a struggle to get anything finished. And today, after having woken up to the results at six in the morning yesterday, I’ll admit I’m feeling at a bit of a loss. This week is tough for many of us, American or otherwise.

But in an attempt to turn toward the positive: I spent this past weekend at the Oslo Strikkefestival (for whom I designed my Rosenhoff Votter), in the company of a collection of absolutely incredible people. I’d love to share more about the experience soon – the fantastic organizers Katie and Tone, the workshops and the marketplace and the general atmosphere, meeting so many people in person who I’ve interacted with online. It was truly wonderful. But right now what I really need is a couple of mental health days before I dive headfirst back into my thesis work. So I thought for now I’d just share what I picked up from the marketplace – which, after reading the vendor list in advance, I was greatly anticipating.

You all know I’m working to buy less yarn and knit from my existing stash whenever possible, but I’ve known for months that I was going to make a big exception for Oslo Strikkefestival. Having started the Norwegian wool series on this blog (which I hope to get back to soon!), I’m super interested in exploring new-to-me yarns that are domestically sourced and produced in Norway. I’ve also lately become interested in the world of Norwegian hand-dyed yarns, as many of those businesses are only just getting started. The marketplace at this past weekend’s festival was an absolutely fantastic place to check out a large sample of Norwegian-made and/or Norwegian-dyed yarns in person all at once. And so I came home with a few things… and you can see from the photo at the top of this post that I didn’t stray from my typical color palette too far. There are worse things than being predictable, though, I suppose.

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I’ve written about how much I love Hillesvåg and their pelsull yarn on this blog before, so I was very happy to pick up a skein of a new weight of pelsull. Sølje is a lovely fingering-weight version and it’s surprisingly soft. Hillesvåg has kept with their tradition of naming their yarns after things related to Norwegian tradition and folklore, as sølje is also the name for the brooches typically worn with the bunad, the national folk costume. The Hillesvåg booth didn’t have a lot of this yarn left by the time I made my way over to pick some up, but I snagged this skein in the color lys rødlig beige, or “light reddish beige.” I’m not sure yet what it will be but I’m very curious to see how this weight knits up compared with the sport weight Pelsull and the bulky Blåne.

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Next up is something different, although still in my typical grey: this is the Kid Silk base from Norne Yarns in the Fenrir colorway. Tuva of Norne Yarns was a vendor at last year’s festival as well, and her specialty is luxury bases (I didn’t asked her specifically about the sources of the bases but I assume they’re sourced abroad). The diversity of yarns in the marketplace was one of the most exciting things to me – although I am a huge advocate for Norwegian wools, I think a Norwegian dyer working with luxury bases is an excellent niche to fill and I’m quite looking forward to trying this yarn out. This grey color is called Fenrir after Fenrir the grey, the great wolf from Norse mythology (also the inspiration for the werewolf Fenrir Greyback in the Harry Potter universe). One of my favorite things about Tuva’s yarns is the Norse mythology woven through all the names, right down to the brand name itself – Norne – as the Norns are the Norse version of the female Fates who rule the destinies of men (artwork of the Norns spinning the threads of fate at the bottom of Yggdrasil is easy to find). Fans of Norse mythology will recognize many names in Norne’s colorways: Yggdrasil, Valkyrie, Freyr, the Mistress of Seidr (which refers to Freyja), Skadi, Ratatosk, and many more.

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Nina Petrina is probably my most local indie dyer, as Nina is from Troms (my county), just a short drive away from Tromsø over in Storfjord. I recently knit her Nordlyslue (northern lights hat), and I was looking forward to checking out more of her yarns in the marketplace. I was also really happy to meet Nina in person, as she is lovely! Not all of her yarns are domestic Norwegian wool – in fact, she carries some Quince & Co. yarns – but her focus is on organic and fair trade wool and she’s very environmentally conscious. I picked up some of her Tynn Bluefaced Leicester (hooray for breed-specific wools!) in this beautiful teal shade that almost perfectly matched one of the stripe colors of my Fringe & Friends KAL sweater, which I was wearing at the time. I’m not sure what I’ll use this for yet, but it’s going to be beautiful.

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This yarn is one of the ones I’m the most excited about but at this point I can give you the least specifics. It’s from the indie dyer I was perhaps the most eager to see: Værbitt. The name literally means “weather-bitten,” and it’s a word that I as a foreigner associate most strongly with the Norwegian national anthem, as it appears in the third line of the first verse (the only verse I know by heart). I had a lovely chat with Laila, the owner (and I probably gushed a bit), because Laila uses mainly Norwegian-sourced wools and Nordic breeds for her bases. The yarn above is spun from spælsau wool, both the sturdy guard hair layer as well as the softer inner layer of wool, so it’s very sturdy even as a single-ply, and absolutely beautiful. I’m very excited to follow Værbitt’s work in the future.

All four of the above yarns were ones I planned to check out and I was expecting to come home with – but of course, there were a couple of curve balls, too. They came home with me because these are the yarns I actually have concrete plans for, unlike the ones above.

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Claire of We Love Knitting traveled all the way from Melbourne, Australia to be a vendor at the marketplace, and she is honestly and without exagerration probably the sweetest person I have ever had the pleasure of meeting. I came home with a skein of her Merino Fingering in the Icicle colorway (at bottom) and her Sock base in a beautiful grey (top). These will become a pair of Lumineux socks, from this year’s Knitworthy collection from Ysolda. Thankfully I can always use more handknit socks here.

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And last but definitely not least, I think I’m actually incapable of resisting a beautiful greyscale gradient. This one came from Squirrel’s Yarns, another one of the international vendors – Lisa is based in France and her gradients were one of the first things that caught my eye at the marketplace. This one is in her Pécan Fingering base, which has a bit of silver stellina in the yarn that gives it a lovely sparkle (which unfortunately doesn’t seem to photograph very well in my low winter light). I’m pretty sure this is going to become a Lupine shawl, a pattern by my friend Cory I’ve been wanting to knit for a long time. I actually had another stash yarn set aside for that, but this one feels like an even better fit.

Thanks again to Katie and Tone and everyone else who made Oslo Strikkefestival so fantastic this year. It was a bright spot in the midst of a dark time.