lately

It always seems hardest to keep up with blogging when I’m at my busiest, and it’s been a busy fall so far! But there are many, many things of note happening in the craft world at the moment as well as in my own world, so I thought I’d mention a few things here:

– I’ve been sewing some more, in free moments. I finished my first Deer and Doe pattern two weeks ago, the Airelle blouse, and you can see my version here. I’m not sure if I’ll make it again (I prefer a straighter cut and narrower sleeves in blouses, I think) but the pattern itself was great and I’m very pleased with how it turned out! I’m looking forward to more sewing, and I recently picked up some lovely light grey fabric for the Chardon skirt, also from Deer and Doe.

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– Felicity Ford’s new book, the Knitsonik Stranded Colourwork Sourcebook, has been making the rounds of the craft blogosphere and it’s become obvious that I need to pick myself up a copy! For anyone who’s ever wanted to get into stranded colorwork but struggled with choosing colors or finding inspiration, or if you’re the kind of knitter who wants to break free from patterns, I think this book will be a huge help. If you’d like to learn more about it, I’d hop over to this post by Kate Davies or this one from Ysolda (or, for that matter, check out the whole blog tour which begins today – the list can be found at the bottom of this post), and the book itself can be ordered right here.

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– Speaking of Kate Davies: Kate is wrapping up work on her forthcoming book, YOKES! I am beyond excited for this book: featuring 11 patterns for yoked sweaters of all different sorts, it will also feature quite a bit of history in the form of essays and other short pieces of writing. Having been a follower of Kate’s work for years, I’m beyond thrilled that I was able to aid Kate in her research for certain sections of the book. Isn’t that cover sweater a stunner? I’ll be sure to post when it’s available to order.

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– The preview of the Winter issue of Pom Pom Quarterly is up, and it’s beautiful! I love the cozy cover sweater by Bristol Ivy. The whole issue is full of cozy knits, soft and warm tones, and I love the pub where they did the photoshoot (especially that portrait of Queen Victoria).

– I’ve really been enjoying the #fringeandfriendsknitalong, the cabled-sweater knitalong begin hosted by Karen Templer of Fringe Association. I’m not participating, just following along, but it’s a great place to be a fly on the wall. Check out all the KAL-related blog posts over at Fringe.

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As for me, I’m furiously working away on wrapping up a few new patterns. One of those is Seven Stars, the pair of fingerless mitts pictured above, featuring Spincycle’s beautiful Dyed in the Wool. These will be the basis for a colorwork workshop I’m teaching at Knit Purl in Portland, Oregon on November 15 (I believe there are one or two spaces still available; more on that here). There will also be a Paper Tiger trunk show, so if you’re in or around Portland, you should stop by! Seven Stars is almost ready for publication, so I’ll have more info for you on those next week!

I’m also going to be stopping by Knit Fit! in Seattle the weekend of November 8-9. I won’t be vending this year, but I’m taking a crochet class (!) and I’ll definitely be stopping by the marketplace as well! If you see me there, say hello!

magpies, homebodies, and nomads

I’m very excited to have a sneak peek on the blog today of Cirilia Rose‘s upcoming book, Magpies, Homebodies, and Nomads: A Modern Knitters Guide to Discovering and Exploring Style (out this November on STC Craft / Melanie Falick Books; available for preorder here). My review copy arrived a week or two ago and I’ve been looking forward to it for so long that I immediately dropped everything to curl up on my couch with it.

Now, in the interest of full disclosure, Cirilia’s a personal friend of mine, and I was actually one of the models for the book. Still, my glimpse at what the final product might be like was minimal at best. The patterns in the book are grouped into three sections, named in the title: Magpies (for those small amounts of precious yarns we inevitably collect), Homebodies (for time spent close to home), and Nomads (venturing into the world to meet friends and gather inspiration). I was a Magpie, along with our friend Kathleen (that’s her on the cover up there), but each section was shot with different models on different days. This meant that the rest of the pieces, as well as the content of the book itself, were as much a mystery to me as for you until I got a copy in my hands.

The photoshoot itself was quite fun, helped by the fact that we were shooting with Jared Flood of Brooklyn Tweed. Jared’s photos are absolutely beautiful, as always, and I think he did a wonderful job of bringing Cirilia’s vision to life (along with the outstanding hair, makeup, and style team). The layout and visual feel of the book is really gorgeous, as well; it’s fresh, bright, and inspiring.

There’s a lot of variety in the patterns: garments, accessories, and a few items for the home, as well (eleven garments, thirteen accessories, and two home items, by my count). My favorite parts, though, might be Cirilia’s writing. At the end of each section are a few short essays on everything from where to look for inspiration to color choice, substituting yarns and thrifting. This is truly a knitter’s style guide. Cirilia’s writing is friendly and informative at the same time – you can tell how much she loves what she does, but you can also tell that she knows what she’s talking about. I think the writing that accompanies each section is all helpful stuff for figuring out how to choose the right things to knit, and knit things that we (or our recipients) will love. I especially liked this bit, from the introduction (“Finding Your Inner Bricoleur”):

“The past decade has seen a proliferation of knitwear designers, myself included, and we’re all working from essentially the same sourcebooks, with the same basic resources: the knit stitch, the purl stitch, and a whole lot of yarn. So how does one innovate in an increasingly crowded landscape? The answer is, of course, through bricolage. The comination of elements from seemingly disparate cultural sources creates energy that didn’t exist before, and when each of us cultivates our own unique concotion of referents, it guarantees more idiosyncratic knits.”

One of my favorite things about this excerpt is that if you deconstruct it further, the knit stitch and the purl stitch are essentially the exact same stitch, and whether it’s a knit or a purl really just depends on your point of view or the way in which you’re working it. One of my favorite things about being friends with Cirilia is that if you gave each of us the very same, identical garment on which to base an ensemble, the resulting outfits each of us would create would probably look very, very different from each other. I love to see her creative impulses because I think they’re often coming from a different place than mine, and that idiosyncracy is exactly what she’s talking about.

I thought I’d share a few of my favorites patterns from the book, which all happen to be garments (one from Magpies, two from Nomads).

This is the Isla Cardigan, a sweet little number worked up in Zealana Rimu DK, and of course, it’s the cover star! It’s a simple cardigan but the details are what I love the most: the high-wasited rib, the slightly puffled sleeve caps, and the subtle ruching at the front yoke. I’d love to knit this in a neutral, or possibly a soft blue. (Side note: we shot Magpies outdoors in Seattle’s Discovery Park. If you’ve never been on a Pacific Northwest beach in mid-spring, it can be chilly. Kathleen makes it look serene!)

Next up is the Gezell Coat, a cozy, oversized cardigan with pockets. This one’s another simple piece with great details: the pockets, obviously, but also the bobbles at the hem and sleeve cuffs and the exposed back seam. I personally like the three-quarter sleeves, but the sleeve length would probably be easy to modify if they’re not your thing (same goes for the bobbles). The thing I like most about this sweater is its lazy elegance; in a dark color like the sample shown above, it’s slouchy and cozy but still manages to make Katie, the model, look totally put together.

The last favorite I have to share today is the Reyka Pullover. A true lopapeysa, it’s knit with Plötulopi, the unspun version of Lopi, the Icelandic wool, which comes in wheels. I love the traditional aspects of it, like the wool and the circular yoke, but I also love the hood (not really visible in this photo), the short-sleeve length, and the textured colorwork. Because the colorwork is purled instead of knit, it also manages to call to mind some of the Bohus knitting, even in only two colors. I think it’s a sweet little piece with a lot of opportunity for modification – longer sleeves, extra colors, and think of all the possible color combinations! Brights, neutrals, darks, lights, they’d all yield such different results.

If you’d like your own copy of Magpies, Homebodies, and Nomads, you can pre-order it right here on Amazonhere on the Book Depository, or you can ask your local yarn store to order it (it’s out November 4th, 2014). Special thanks to STC Craft / Melanie Falick Books for the chance to review it!

And a quick reminder that this upcoming weekend is the Nordic Knitting Conference here in Ballard, and both Cirilia and I will be teaching! I hope we see some of you there!

stars on the brain

I’ve followed the work of artist Dan-ah Kim for several years now, and I’ve even got a few of her pieces up on the walls at Paper Tiger, so I was ecstatic when I saw that she’s released her first children’s picture book, If I Lived in the Sky.

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I’m such a sucker for a good night sky illustration, and Dan-ah’s pretty amazing at those. Her paintings have a lovely textural quality, often incorporating additional layers of paper or fabric as well as stitched elements in addition to the textured surface of the paint itself, and while a lot of that depth is lost in book format, the mixed media still comes through and it’s a breathtaking little book. Mine’s already come in the mail and if you’d like a copy of your own, it’s available for $11.84 on Amazon.

I’ve had starry skies on my mind a lot lately (I recently finished reading The End of Night, by Paul Bogard – a book I would highly recommend it to anyone who is a human) so it’s no surprise that when I stopped by my local yarn store after getting this package in the mail I walked away with a couple of skeins of Tosh Merino Light in the Stargazing colorway.

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It’s an exceptionally difficult color to photograph accurately, but it’s all deep rich blues, with purples and greens thrown in, rather like the Northern Lights. The sense of depth, of light and of shadow, is the hardest thing to capture in a photo. It’s pretty remarkable. I got to thinking that it would look really lovely as some kind of beaded shawl – where the beads are like stars – and then I remembered Audry Nicklin’s Southern Skies and Celestarium, two circular shawls that are celestial maps of the sky over the southern hemisphere and the northern hemisphere, respectively. Could there be a more perfect set of patterns for a colorway called “stargazing”? So I’m pretty sure my three skeins will become a Celestarium, eventually. I say “eventually” because I’ve got a few patterns to wrap up before I can dedicate that much time to a personal project (and more on those upcoming patterns soon).

Fore more starry-related goodness, I’d also recommend Find the Constellations and The Stars: A New Way to See Them by H. A. Rey, of Curious George fame.