Damien Jurado's new album, Saint Bartlett, came out May 25th, and on May 29th he played an album release show here in Seattle at the Triple Door. I made this poster for it. The whole thing, from start to finish, was a made-by-hand process. I am going to attempt to document that process here, for those of you who are interested in that sort of thing - if you're not, you can just check out the images.
I have always made a great deal of my artwork on the computer, and this poster (along with one I made last fall as well as a large-scale painting project) is part of an attempt to unplug and get back to a more tangible process of making things. And it was a process!
This poster began as an idea: embroidery by hand only, with no aid from computers or machines in any way (with the sole exception of scanning the actual piece of fabric to reproduce it). I haven't done any embroidery since I was in elementary school, probably, so it required some preparation and planning. I skipped over to Stitches to purchase fabric, embroidery thread, and the incredibly crucial heat-transfer pencil (this was necessary for making a pattern). I sketched the whole thing up in regular pencil, first. Everything was drawn by hand, including the lettering. Then I flipped over my sketch and traced the lettering on the back of the paper with the heat transfer pencil. This gave me a heat-transferable sketch of the poster - backwards - enabling me to iron it directly onto the fabric so I knew where to place my stitches.
Labor-intensive as that sounds, the next step was definitely the longest part. Embroidering the band names was a long process, aided by the fact that the band names were none too short. I embroidered at home, at the Jurados', in the passenger seat of friends' cars, and on the way down to Portland for a shoot with Kyle Johnson (that post will come at a later date). I took to carrying my embroidery hoop around in my purse for whenever I had a free moment. To give you a point of reference, just one letter of Damien's name would take me anywhere between 30 minutes to an hour to complete, depending on the size and complexity. Luckily, I am incredibly satisfied by this kind of time-consuming handicraft; there's something about the near-tedium that I can really get into.
Once I finished the lettering, the trees were smooth sailing to the finish. We scanned it once, but I am a perfectionist and was not satisfied with the quality, so I ironed it out and re-scanned it. The original sits now atop my dresser, but prints are also available for $5 via Luckyhorse Industries, here. There will definitely be more unplugged tangible artwork in the near future...
(Last two photos by the incredibly talented Sarah Jurado)
Fervent fiber nerd and frequent baker living in Montreal. I'm all about creativity. Read more here.