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  • around the net

    I'm super excited about a couple of things popping up on the Internet today. Firstly, the pattern for the next Fringe Hatalong has been posted, and it's a worsted weight version of Gudrun Johnston's Hermaness! The original pattern is written for fingering weight, and calls for Brooklyn Tweed Loft; this new version is worsted and calls for Brooklyn Tweed Shelter. I think they're both pretty dreamy, which is great, because you can knit either version for the hatalong. Hop on over to the Fringe blog to download the free PDF (and I should note that only the worsted weight version is available for free; the fingering weight version is part of Gudrun's gorgeous book The Shetland Trader Book Two or you can purchase it individually on Ravelry).

    photo by Karen Templer

    I think this hat is so lovely with its simple Shetland lace, but I'm not sure I'll be able to knit one during the hatalong with the amount of deadline knitting on my plate at the moment (not to mention I have a second L'Arbre Hat I need to finish). I can't wait to watch everyone else's hats taking shape, though! One of my favorite things about the Fringe Hatalong series is that it aims to help knitters develop their skills in small and manageable increments: the first hat was just a knit/purl pattern, the second hat featured knits, purls, and that fun stranded technique that created the motif in L'Arbre, and now we have a hat with a very simple lace repeat. It's the perfect introduction to reading a lace chart, if you've never been a chart reader: the repeat is simple and short, and the only technique we're adding to our repertoire is yarnover increases (since all of the hats have featured decreasing already). There's a guide to knitting from a chart in the Hatalong blog post over at Fringe, as well as several other great tips if you're new to lace or charts.

    If you join in, remember to use the hashtag #fringehatalong when sharing!

    The other thing I'm super excited about today is the launch of Twig & Horn, a new sister company from Quince & Co. I'm kind of a Quince & Co. / Pam Allen devotee at this point, so I was eagerly awaiting today's launch after the announcement earlier this week. Twig & Horn is a needlearts accessories company - in other words, a sister company producing tools for knitters, crocheters, and other fiber artists. Just look at this beautiful homepage:

    twigandhorn.com

    There are three products available at this point: the beautiful wool soap pictured on the home page above (unscented as well as three scented options), a handy gauge ruler, and a simple and beautiful wool project tote, pictured below (available in four colors, though both the blue and green appear to be sold out already). I wish I needed one of those totes right now, but I really don't - if you do, make sure to grab one quickly! I doubt this batch will last much longer.

    images via twigandhorn.com

    I can't wait to see what else Twig & Horn brings us. To stay up to date on their news, you can sign up for their mailing list at the website, or follow them on Twitter or Instagram.

  • summer days

    The longest day of the year in the northern hemisphere is right around the corner (Sunday the 21st, this year).

    The days have been hot lately, too. The entire west coast is in a drought - not just California, which you've probably heard about in the news, but up here in Washington, too. The cherries are early this year. Everything's early. I can't remember the last time it really rained. Just endless sunshine and 70-80 degree days.

    It might sound nice to some, but it can make a Seattleite grumpy. I'm yearning for cloudy days and and some actual, proper rain. Still, I'm doing my best to savor the good parts. Mary Jane is in town, so she and I and Cirilia headed out to the Ballard Locks this week with some treats to do a little outdoor knitting. We hovered in the shade, but it was certainly beautiful. We enjoyed watching the bird life - so many blue herons! - and eating the homemade cookies Cirilia had brought along. 

    I've been enjoying the lingering light as the days have grown longer, too. It's hard for me to wrap my head around the fact that when I get to Tromsø, the days will still be quite long and there will be no real darkness my first few weeks there. The days will rapidly grow shorter, though, so I'm enjoying the long daylight as long as I can, whether I'm here in Seattle or in Tromsø.

    I hope whatever your summer is like so far, you're enjoying it! 

  • new hat patterns!

    Okay, neither of these is technically brand new anymore, but they are both newly available as individual patterns through my Ravelry store.

    You might recognize Fjordland, shown at right, which was first published in issue 7 of Pom Pom Quarterly (Winter 2013). I've been meaning to release it as an individual pattern ever since the rights reverted, and my new camera gave me the little push I needed. Fjordland is worked in fingering weight yarn - the pattern calls for Madelinetosh Tosh Merino Light, and I can tell you it's the perfect pattern for using up leftovers (partial sock yarn skeins, anyone?). The sample was actually knit with leftovers from my Amiina and Vasa samples! Check out the Ravelry page for more details and photos and to purchase it.

    The other hat, shown at left, is called Cliff Park. This pattern was originally designed for LYS A Grand Yarn's Indie Club, and since A Grand Yarn was - up until last winter - located in Spokane, Washington, the hat was named after nearby public park Cliff Park. I love the combination of stripes and colorwork, and I especially love the yarn. Cliff Park calls for Stonehedge Fiber Mill Shepherd's Wool Worsted, a delightfully springy worsted spun yarn made from merino top. If you've only ever worked with superwash merino, get ready to have your mind blown. Merino is SO delightful when it hasn't been superwash treated, and Shepherd's Wool is incredibly soft and bouncy. It's also availabe in a huge palette of colors, so there are endless potential color combinations. Find Cliff Park on Ravelry here to see more photos and purchase the pattern.

    --

    Between all the hats I've released this year, plus the Fringe Hatalong, 2015 is feeling like the Year of the Hat. And speaking of the Fringe Hatalong, Karen's put up the preview for hat #3 - the big reveal is happening next Thursday, June 18th, and I can't wait!

  • some recent FOs

    I haven't shared any knit FOs for a little while, so while I'm working away on projects for fall that I can't show you just yet, I thought I'd share a few! (I'm using the term "recent" a bit loosely, here, since these stretch back to March, but let's just roll with it).

    First up: my very own finished Hearth Slippers

    These are the slippers I designed for Tolt last year. I knit the three sample pairs photographed for the pattern, but those went to Tolt and I was left without a pair of my own. I cast on for my own pair during the joint Hearth Slipper KAL run by Tolt and Fancy Tiger, but it took me awhile to finish them up since I was traveling in December and working on other projects at the beginning of the year. I finally finished these in March, though, and they've been worn SO much since then! They've only been set aside in the last few weeks, as the weather's warmed up here in Seattle. I knit the size Large, so that I could wear them over thick tights - I think I'll be grateful for that once I get to Tromsø - so over my bare feet they're a little slouchier, which I also like. I took these photos this morning, so this is what they look like after a few months of pretty regular wear. Not bad, right? That Fancy Tiger Heirloom Romney is sturdy stuff. I used Dark Natural for my Color A, Hubbard for my Color B, and Natural for my Color C. I absolutely love the moody, wintry feel of this color combination. My Ravelry project page can be found here.

    I shared my yarn choice for the second Fringe Hatalong pattern, but I never shared my finished hat! I ended up putting a pom pom on top (hardly a surprise) and I hope the finished hat will see a lot of use once I get to Tromsø - knit up in Quince & Co. Osprey in the Glacier colorway, it's incredibly warm and cozy and it just hugs my head. The Osprey's almost a little heavy for this pattern, and I'd love to try it knit up in Lark, which might suit it even better. This is a super quick knit and I love how easy it is to memorize the four-round repeat. The pattern is the L'Arbre Hat from Cirilia's beautiful Magpies, Homebodies, and Nomads, but the hat (and matching mitts) are available for free in PDF format for the hatalong, thanks to the generosity of Cirilia and her publisher. Be sure to check the errata before you cast on. You can find the Raverly project page for my L'Arbre Hat here.

    And keep an eye out on the Fringe blog for info about hatalong pattern #3! I think it might be time for another reveal sometime in the coming weeks, and I know I can't wait to see what it is.

    Next up: OH, how do I love these socks? Let me count the ways . . . If you're on Instagram, you've surely seen this incredible self-patterning sock yarn pop up in your feed in the past few months. I don't usually go for self-striping or self-patterning yarns, but even *I* fell for this one. It's the new line designed by Arne & Carlos for Regia, and it's fantastic. Traditional Norwegian colorwork motifs provided the inspiration for the patterning, and the palettes for the six different colorways were drawn from different Edvard Munch paintings. Last summer when I was in Norway I had a chance to visit Åsgårdstrand, which was where Munch spent his summers for much of his life. His summer cabin there has been turned into a museum, and it was a really fantastic and idyllic place to visit that gave me a new appreciation for Munch, whose style isn't really what I usually go for. Needless to say, I love this sock yarn. I'm all about it. And I'm super grateful several of my local stores are carrying it (and it's going like hot cakes, from what I can tell!). This colorway is far and above my favorite: Summer Night (color number 3657). The best part is that these are the simplest stockinette socks, and simple socks are my favorite to actually wear. I worked them toe-up with an afterthough heel and did a picot bind-off. The contrasting yarn used for the heel and picot edge is Soft Like Kittens Noodle Sock in Cloud Watching. The Raverly project page can be found here.

    Last we have an FO I'm especially excited about. I fell in love with Chuck when Andi Satterlund released it in the fall of 2012, and I've wanted to knit myself one ever since. I love the simple but elegant cables and I love the cropped length. I've also been trying to make an effort to knit more sweaters that I can wear with my high-waisted dresses and skirts, so I decided it was finally time to give it a go. I picked up five skeins of Quince & Co. Lark in Kittywake at Tolt back in March, and after knitting so many fingering-weight sweaters, a worsted-weight sweater on size 8 needles felt impossibly quick (although this project did do some hibernating for a few months). I worked a tubular bind off for all of the ribbing, but otherwise made no modifications. Andi's a wonderfully clear pattern-writer, so even though this type of construction isn't my favorite to knit, I'm already looking forward to casting on for another Andi project (perhaps an Agatha?). The Ravelry project page is here.

    --

    Next, I'm trying to see if I can sneak in under the extension deadline for Shannon's Tops, Tanks, and Tees KAL (which ends tomorrow) with my Dubro. I've almost finished the body (one or two stripes left) and then all I'll have left is the sleeves, so it might actually be doable! What's on your needles at the moment?

  • photographic milestones

    I got a new camera!!

    My very first camera was a 35mm SLR: a Nikon FG-20. It was a hand-me-down from my mom and I loved it. I used to walk around my yard and my neighborhood as a teenager, snapping photos of anything and everything (but rarely people). I remained a faithful Nikon photographer when I bought my first serious digital camera, a Nikon D70 that I bought second-hand in 2007. It wasn't my first digital camera, but it was my first serious digital camera. I bought it a few months ahead of a semester abroad in France - I remember wanting to have a good camera to document my first extended trip in Europe. That D70 remained my faithful companion for the next seven years, coming with me on a cross-country move as well as trips on four different continents. I basically used it all the time. But at some point last year, that started to change. I got an iPod Touch before going to Norway for the summer, and even though my D70 came along, I used the iPod almost exclusively. Last fall I replaced the iPod with an iPhone. The cameras have come quite far in smartphones, as we all know, and for everyday snaps you really can't beat the ease and portability they provide.

    As I started using my phone more and more to take photos, I think my old D70 really started showing its age. My relationship with it had changed, too. I didn't want to bring it along to document much of anything, and it really only came out to shoot pattern photos or knitting projects. In the last few months, it's finally given up. I can no longer shoot with it. Whatever's wrong with it is probably fixable, but I decided that I'd rather look at buying a new camera than pay money to have a rather old one fixed, especially since digital photo technology has moved forward by huge leaps and bounds since that camera was released. And there's something to be said for investing in a camera that moves me to take pictures again, that's inspiring just to have in my hands. So I started looking around.

    What I landed on is the camera pictured above: the Fujifilm X-T1. I went for the "graphite silver edition" because the silver top is reminiscent of the Nikon FG-20 that was my very first camera (nostalgia totally sells; smooth move, Fuji!). The purchase of this camera marks a rather momentous occasion for me: it's the first time I've bought a proper pro camera totally brand new. There's a lot about it that's very different than my Nikon - the biggest thing being that the Fuji is mirrorless - but I love the photos it takes and I love how it feels in my hands, and that stuff matters to me just as much as the technical specs (if not more). 

    I took a long walk today to spend some time getting a feel for it. Walking around with this camera in my hands, I almost felt like that teenager walking around with her first camera again. It's been a long time since I've felt that sort of giddy excitement about a new creative tool. Most of the photos I took today are just snapshots, really, but I thought I'd share a few here on the blog. I hope to be sharing a lot more photos on the blog again, especially once I get to Norway in August.

    I also wanted to say thanks to the friends who sat and talked cameras with me as I worked my way up to this decision, particularly Kathy and Rachel. Your enthusiasm and encouragement means so much, and I'm grateful for it.

  • FO: hemlock tee

    I've been enjoying following Me Made May again this year, but with how busy it's been in my house - prepping for an international move, then a parental visit - trying to actively take part really hasn't been practical. There definitely haven't been many opportunities to actually create new items of clothing. I decided to set aside an afternoon while my parents were here, though, to sit down and sew something I've been meaning to sew for months: the Hemlock Tee. It's a free pattern from Grainline Studio, designed for knits. Ever since Me Made May rekindled my desire to sew last year, I've wanted to tackle knits.

    When I was in high school I did a lot of sewing, but I was never a technical sewer - I was very DIY make-it-up-as-I-go-along about it all. I think I wrote about this last year, but it's been so interesting to return to sewing after reaching such a professional level with my knitting. My knitting skills are pretty polished at this point and I know so much about technique, fit, and designing - so to come back to sewing means realizing I know next to nothing about the technical aspects of sewing garments. I was pretty sloppy in high school and I really didn't care, but now I want my hand sewn garments to reflect the level of polish I've come to expect from my knits. It's challenging, to feel like you're going back to being a beginner at something (and for that reason, it's probably a very good exercise for me, too).

    In any case, when I bought this grey and white striped fabric (from Drygoods Design in Seattle - I *think* it's this one), I had originally slated it to become a Linden. I even bought the pattern with it. But as it sat on the shelf, waiting for me to have time to make it, and as I looked into ribbing and trying to find a good ribbing to match the fabric, I started to think that perhaps I should start simpler. I'd still love to make a Linden, but the one-size oversized free Hemlock Tee felt like it might be less ambitious. (For those of you who sew regularly, the Linden might not seem that ambitious, but I really need baby steps here. I'm sloooow at sewing and it takes way more attention to complete simple tasks than it should because I so rarely do it.)

    This super simple tee still took me the better part of an entire afternoon. There are plenty of reasons for that - I used my regular machine with a walking foot put on, and I had to figure out how to install the walking foot before I could even test it out. I also started off using a triple stretch stitch (recommended for knits if you're not using a serger) but that was causing some serious issues with the shuttle in my machine and I broke a few needles before I exasperatedly gave up on that and switched to a normal straight stitch (since it's an oversized tee, I think it'll do okay). 

    I felt unsure about the length of the sleeves, so I didn't actually hem/finish the sleeve cuffs - since it's a fine gauge knit, the fabric won't really fray or do anything terrible, and I've just rolled up the sleeves for now so they're closer to elbow length. I also shortened the overall length of the tee, cutting off several inches of fabric before hemming it. I think it suits me better than the longer length did.

    While I wouldn't say I enjoyed the process of actually sewing it (I think it will take a lot more sewing practice before I can really enjoy sewing a garment) I'm fairly happy with the end result, even though I can spot all the flaws. At a glance, most people won't notice those, and this tee's definitely my style and is very at home in my wardrobe. I think it'll transition super well from a summer piece to a winter piece - it's very layerable, and I can already picture it with a huge scarf around my neck. 

    So this will very likely be my one make for the month of Me Made May. I'm still grateful for the excuse to think a little bit harder about what I'm putting on in the morning and where it came from, and I'm definitely grateful for the month of inspiration that comes with so many people sharing their handmade wardrobes day after day. I'll be doing a lot of culling of clothes before we fly to Tromsø, trying to pare down and really only bring essentials or things I really love, and this month has made it easier to think about what I want to keep and what I'd like to let go of.

    Are any of you participating in Me Made May this year?

  • woolful podcast

    I'm SO excited to be the guest on this week's episode of the Woolful podcast! If you've never listened to the podcast before, it's absolutely wonderful (and you've got 22 back episodes before mine to listen to). The podcast is the creation of Ashley Yousling, who currently splits her time between a tech job in San Francisco and a beautiful ranch in Idaho. I can't say thank you enough to Ashley for having me on, because I love her podcast and what she brings to our fiber community in producing it. And huge thanks to Tolt Yarn and Wool for sponsoring this episode! 

    I've received so many wonderful comments and messages since the podcast went up and I'm a bit overwhelmed by the love, so thank you all! I was quite excited to see some of you mentioning that I'd piqued your interest in Norwegian sheep breeds, and you'll be happy to know that Norwegian-specific wool is something I'm hoping to explore more and write about here after I move to Tromsø this summer. I can't wait to share what I learn.

    Those of you who regularly follow the podcast know that with each episode comes a giveaway - and this week we're giving away a copy of Moon Sprites along with the Létt Lopi to knit it! Many of the comments on the podcast episode mentioned a desire to work on colorwork, and Moon Sprites is a great pattern for that whether you've done a lot of colorwork or not - with just seven rounds of simple colorwork, it's totally appropriate for a colorwork beginner! To enter the giveaway, all you need to do is leave a comment on the episode's blog post.

    Be sure to visit the Woolful website and listen to those back episodes if you haven't before! And be sure to check out Ashley's shop, Woolful Mercantile, while you're there.

  • new favorite blogs

    Work is slow right now while we've been doing a lot of move prep, but I'm slowly chipping away at projects for fall when I can. In the meantime, I've added a few new inspiring blogs to my regular blog reader lately, and I thought I'd compile them here in case they're new-to-you too.

    Top row, from left:

    My Scandinavian Home - an interior design blog. If you follow me on Pinterest you may have noticed a proliferation of pins coming from this site. The blog is run by "a London girl in Sweden" and I absolutely adore her taste. The homes she features are super inspiring. 

    Ein Kopp Te, Takk - this blog is written by a Norwegian master's student, Kristin (though it seems she's nearly done with her degree). You won't be able to read it unless you know Norwegian (Norwegian has two written forms, and Kristin writes in nynorsk rather than bokmål, so machine translation like Google Translate will come out even more mangled than usual). Still, her photos are gorgeous, bright and lofty, and it's kind of worth following for those alone. The name means "a cup of tea, thank you." Be sure to check out her Instagram, as well.

    Bottom row, from left:

    Ella Gordon - like many, I found my way to Ella's blog via Kate Davies, and I'm so glad I did. Ella's from Shetland and resides in Lerwick. She does quite a bit of hybrid knitting - machine knitting sweater bodies and hand knitting their yokes - which I find really fascinating. Her projects are always beautiful, as are her vintage finds. She works in the Jamieson & Smith shop, so perhaps we'll cross paths one day when I make it to Shetland!

    Paunnet - I've actually been following Anna's blog since some time last year, but it's one of my favorite sewing blogs, hands down. She lives in Italy and it's fun to follow a sewing blog with a European perspective. I think I found her blog around the same time I found Deer & Doe patterns, because she sews a lot of them. Her photography is beautiful and I love her taste in fabric. 

    What blogs have you been inspired by lately?

  • very shannon's tops, tanks, and tees KAL

    Today is the official start - cast-on day - of Shannon's annual Tops, Tanks, and Tees KAL. I learned about this KAL last year during the Vasalong, as many folks knitting a Vasa were including it in both KALs. I was pretty stoked to learn about the TTTKAL, as it's a ideal for spring heading into summer, and if I can swing it, I'd love to participate this year (though I'd better get going if I want to have something finished by the June 3rd deadline).

    I've got a solid garment's worth of Shibui Linen in my stash that I've been wanting to use for ages, but I haven't landed on the right pattern yet. I'll also admit that part of why it's been languishing in the stash for so long is that once I fell in love with Quince & Co. Sparrow, the Shibui Linen seemed less appealing (while they're both fingering weight and 100% linen, the Shibui is a chainette yarn, so it yields a more textured fabric than the Sparrow). Absolutely nothing against Shibui, who make wonderful yarn I enjoy knitting with - I just have a rather giant soft spot for Quince & Co. in general. Still, I'm determined to start knitting more from my sizeable yarn stash, so I'd love to use this yarn for the TTTKAL. I have three skeins of grey, and two of navy, so stripes seem like the best use of the yarn. Because of the way the Shibui knits up, the fabric has some texture already and textured stitches migth compete with it, so stockinette also seems like a good way to go. Here are some patterns I've been considering:

    Top row, from left:

    1. The duh-totally-easy way to go about things would be to knit yet another Vasa - I love my linen Vasa (in Sparrow) and it actually gets a lot more wear than my wool version, so another linen Vasa would be a bit of a no brainer. I know I'd wear it. But on the other hand, I've already knit two Vasas and I don't often knit garments more than once. I can feel myself itching to knit something different.

    2. Saco Stripes, by Pam Allen. I've loved this pattern ever since I first saw it, and part of me still really wants to knit it. But as far as knitting things that will actually become wardrobe staples, I'm not sure how it would do. My hips are wider than my shoulders, and tanks tend to emphasize that with the narrow shoulder width. A top that extends beyond my shoulders tends to make me look a little more balanced, which means I may only wear a tank like this if I've got something to wear over it. I love it, but this probably isn't the best choice for me right now.

    Bottom row, from left:

    3. A host of things from the new issue of Pom Pom Quarterly, that cover sweater Greco in particular. The summer issue of Pom Pom contains several patterns that would be perfect for this knitalong, and I was entertaining the idea of a Greco in plain stockinette - the lighter weight linen would lend the whole top an open, summery feeling, and the V-neck in back is a nice touch. The cropped length is cute, too, but again I'm not sure how regularly I would wear that. I suppose adding length would probably be fairly simple, though.

    4. Dubro, by Michiyo, for Quince & Co. I think I've settled on this one - the finished garment is something I would definitely reach for and wear a lot, I don't have anything like it in my wardrobe already, and Michiyo is one of my favorite designers. I love the use of blocks of stripes with a plain yoke - a little bit of a Breton sweater, but with a twist. Proportions are tricky to nail down with stripes, but I love the proportions of these! I might have to get a little creative with yarn here based on my yardage - the sleeves may need some modifications - but I think I can swing it.

    Are you taking part in the Tops, Tanks, and Tees KAL this year? I'd love to hear what patterns you're working up!

  • a vintage norwegian yoke

    Perhaps the posts about vintage yokes from Kate or Ella finally got to me, or perhaps it was just the siren song of the bright, bright teal, but I found myself impulse-buying this beautiful Norwegian yoke last weekend when I spotted it on the sidewalk rack of a local vintage shop.

    While the fit is a bit... let's say dated, and the sleeves are short (they're always short on me if I haven't made it myself), I really don't mind since the yoke is so striking and it'll be warm in the winter nonetheless. It's knit by hand, bearing the label "Maurtua," which was actually a handicrafts shop in Oslo that catered almost exclusively to tourists (which is probably how it made its way from Norway to Seattle). The address, Fridtjof Nansens Plass 9, is located in the semicircular plaza surrounding Oslo's city hall, and that storefront is actually still a souvenir shop today (though the current shop goes by the far more generic name of "Norway Shop"). 

    At any rate, I got curious about the pattern, which bears a notable resemblance to Unn Søiland Dale's famous "Eskimo" sweater. Those of you who have read Kate Davie's Yokes will recognize it from the chapter, "Greenlanders and Norwegians." If you don't have the book, Kate talks a bit about the sweater about halfway through this blog post.

    Unn Søiland Dale's "Eskimo" published by Sandnes 

    In any case, here's what I've managed to dig up looking for information about my own vintage yoke. It's almost a perfect match with one of the Husfliden pattens, number 419:

    (The image on the left is from Raumagarn, the older one on the right was found via this Pinterest user)

    A quick Google image search for "Martua Husflid" shows that Maurtua definitely made use of Husfliden 419, different iterations of which can be spotted on the image search page. While it's possible a pullover version of the pattern existed too, my best guess is that the knitter who made this sweater decided to make use of artistic license and modify the pattern. I must say I'm in favor of the design choices - the design looks great as a pullover rather than a cardigan, and the use of two different teal-blues gives the yoke a lovely depth that Norwegian knitting doesn't always achieve with its typically limited color palette (the same goes for the combination of light grey in addition to the main off-white color). The red is a sort of rusty brick red, less saturated than a candy apple red would be, which helps balance the yoke and keep the bright design from being too overwhelming. There are some chart differences as well, where the knitter appears to have embellished or modified existing motifs. The stripes at the ends of the ribbing at neck, cuffs, and hem are a nice touch. I love too how the stranded motif at the sleeve cuff echoes the motifs in the yoke without actually replicating them.

    I'm quite pleased with my new pullover - I love digging into the history and trying to track down the origins of a piece of knitting. Do you have any vintage favorites or hand-me-downs that bring you inspiration?

    --

    P.S. A very hearty thank you to all of your kind words about my Norway/grad school news. I am so excited to make this leap and your support and encouragement means the world to me. I've had a lot of people express hopes that I'll be writing about my adventure, and I'm absolutely planning to do that! Something to look forward to.